Shape Type
This is an open-position voicing, so the nut and open-string markers matter as much as the fretted notes.
Double Drop D left-handed chord chart
Learn Am7b5 in Double Drop D with a mirrored left-handed grip, a clean string check and a practical change exercise.
Am7b5 uses the notes A, C, D#, G and is shown here as a mirrored left-handed chord chart. Double Drop D creates matching outer-string anchors, which is useful for fingerstyle and droning lines that left-handed players often have to translate from right-handed examples. These are exactly the shapes that become frustrating in right-handed chord books, so the mirrored left-handed chart is part of the lesson, not just the design.
Open a page
Chord boxes are mirrored for left-handed guitar. Tab remains standard, and the text shape readout is explicitly labelled high to low.
Primary Chart
Minor 7 Flat 5 open-position chart (frets 1-5)
Minor 7 Flat 5 open-position chart (frets 1-5)
Minor 7 Flat 5 voicing around frets 12-16
Minor 7 Flat 5 voicing around frets 7-11
Standard Reference
Left-handed shape (high -> low): 1 1 0 1 0 x Chord tones: A C D# G D|-1-| B|-1-| G|-0-| D|-1-| A|-0-| D|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Left-handed shape (high -> low): x 1 0 1 0 x Chord tones: A C D# G D|-x-| B|-1-| G|-0-| D|-1-| A|-0-| D|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Left-handed shape (high -> low): 13 13 12 13 12 x Chord tones: A C D# G D|-13-| B|-13-| G|-12-| D|-13-| A|-12-| D|-x--|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Left-handed shape (high -> low): 7 8 8 10 10 7 Chord tones: A C D# G D|-7--| B|-8--| G|-8--| D|-10-| A|-10-| D|-7--|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Context
Minor 7 Flat 5 feels shadowy, unstable and jazzy and works for minor ii-V movement, dark colour and sophisticated passing harmony.
Form the first clean shape without strumming, check each intended string, then release and rebuild it five times. Finish with slow four-beat changes between this chord and one familiar chord in Double Drop D.
This is an open-position voicing, so the nut and open-string markers matter as much as the fretted notes.
Let G and A ring open, fret D string fret 1, B string fret 1 and D string fret 1, mute D.
The quickest lead connection from this chord is A Locrian. Start there if you want the page to turn into a chord-to-scale practice loop.
Double Drop D feels symmetrical on the outside strings and strong for drones. It opens up mirrored shapes at the top and bottom of the fretboard.
Next Step
Use these scale pages to move from the chord into lead work without leaving the same tuning and key centre.
Practice Notes
This is an open-position voicing, so the nut and open-string markers matter as much as the fretted notes.
Let G and A ring open, fret D string fret 1, B string fret 1 and D string fret 1, mute D.
These are exactly the shapes that become frustrating in right-handed chord books, so the mirrored left-handed chart is part of the lesson, not just the design. Standard tab stays unchanged underneath, which means you can still use normal transcriptions.
Keep the fretting wrist loose and build the shape from the root outward so the b5 stays accurate.
The quickest lead connection from this chord is A Locrian. Start there if you want the page to turn into a chord-to-scale practice loop.
Use the mirrored visual map to spot the symmetry first, then rely on the tab for note order. It opens up mirrored shapes at the top and bottom of the fretboard.
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