Shape Type
This is an open-position voicing, so the nut and open-string markers matter as much as the fretted notes.
Standard left-handed chord chart
Learn Am in Standard with a mirrored left-handed grip, a clean string check and a practical change exercise.
Am uses the notes A, C, E and is shown here as a mirrored left-handed chord chart. Standard tuning keeps the usual string relationships intact, so it is the easiest place to compare left-handed charts with mainstream tab and lesson content. The mirrored box helps left-handed players see the minor third where it actually lives on their instrument instead of mentally flipping a right-handed chart.
Open a page
Chord boxes are mirrored for left-handed guitar. Tab remains standard, and the text shape readout is explicitly labelled high to low.
Primary Chart
Minor open-position chart (frets 1-5)
Minor open-position chart (frets 1-5)
Minor voicing around frets 5-9
Minor open-position chart (frets 1-5)
Standard Reference
Left-handed shape (high -> low): 0 1 2 2 0 x Chord tones: A C E E|-0-| B|-1-| G|-2-| D|-2-| A|-0-| E|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Left-handed shape (high -> low): 0 1 2 2 0 0 Chord tones: A C E E|-0-| B|-1-| G|-2-| D|-2-| A|-0-| E|-0-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Left-handed shape (high -> low): 5 5 5 7 7 5 Chord tones: A C E E|-5-| B|-5-| G|-5-| D|-7-| A|-7-| E|-5-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Left-handed shape (high -> low): 5 5 5 x 3 5 Chord tones: A C E E|-5-| B|-5-| G|-5-| D|-x-| A|-3-| E|-5-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Context
Minor feels dark, direct and emotional and works for minor progressions, riff writing and moodier accompaniment.
Form the first clean shape without strumming, check each intended string, then release and rebuild it five times. Finish with slow four-beat changes between this chord and one familiar chord in Standard.
This is an open-position voicing, so the nut and open-string markers matter as much as the fretted notes.
Let E and A ring open, fret B string fret 1, G string fret 2 and D string fret 2, mute E.
The quickest lead connection from this chord is A Minor. Start there if you want the page to turn into a chord-to-scale practice loop.
Standard feels balanced, familiar and easy to compare with lesson material. It lets you focus on left-handed visual translation without also learning a new tuning layout.
Next Step
Use these scale pages to move from the chord into lead work without leaving the same tuning and key centre.
Practice Notes
This is an open-position voicing, so the nut and open-string markers matter as much as the fretted notes.
Let E and A ring open, fret B string fret 1, G string fret 2 and D string fret 2, mute E.
The mirrored box helps left-handed players see the minor third where it actually lives on their instrument instead of mentally flipping a right-handed chart. Standard tab stays unchanged underneath, which means you can still use normal transcriptions.
Watch the non-dominant fretting hand for collapsing finger angles, especially when the b3 sits under a stretch.
The quickest lead connection from this chord is A Minor. Start there if you want the page to turn into a chord-to-scale practice loop.
If you are moving from right-handed resources, start here first so the mirrored chart is the only variable. It lets you focus on left-handed visual translation without also learning a new tuning layout.
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