C Standard left-handed chord chart
Bm7 Left-Handed Guitar Chord Chart
Minor 7 chord voicings, mirrored lefty grip charts and standard tab references in C Standard.
Bm7 uses the notes B, D, F#, A and is shown here as a mirrored left-handed chord chart. C Standard lowers the whole guitar while keeping interval relationships intact, which is useful for heavy left-handed players who still want logical mirrored charts. These shapes often appear in right-handed lesson material with confusing string references, so the left-handed diagram removes that friction.
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Chord boxes are mirrored for left-handed guitar. Tab and low-to-high shape notation remain standard so common lessons still translate.
Primary Chart
Chord View
Minor 7 voicing around frets 11-15
Minor 7 voicing around frets 4-8
Minor 7 voicing around frets 9-13
Minor 7 voicing around frets 6-10
Standard Reference
Tab & Shape Readout
Standard Tab Reference
Left-handed shape (high -> low): 11 11 11 11 x 11 Chord tones: B D F# A C|-11-| G|-11-| D#|-11-| A#|-11-| F|-x--| C|-11-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 6 4 6 4 6 x Chord tones: B D F# A C|-6-| G|-4-| D#|-6-| A#|-4-| F|-6-| C|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 9 11 11 11 9 11 Chord tones: B D F# A C|-9--| G|-11-| D#|-11-| A#|-11-| F|-9--| C|-11-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 6 7 6 8 6 x Chord tones: B D F# A C|-6-| G|-7-| D#|-6-| A#|-8-| F|-6-| C|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Context
How To Use This Page
Minor 7 feels smooth, warm and flexible and works for funk comping, neo-soul, modal harmony and groove guitar.
These shapes often appear in right-handed lesson material with confusing string references, so the left-handed diagram removes that friction.
Barre only what you need and let the mirrored chart guide finger placement so the non-dominant hand does not overwork
C Standard feels low, thick and heavy without dropping interval logic. It keeps the same shape logic while delivering a heavier voice.
- B
- D
- F#
- A
Next Step
Matching Left-Handed Scales
Use these scale pages to move from the chord into lead work without leaving the same tuning and key centre.
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