Standard left-handed chord chart
Cmaj7 Left-Handed Guitar Chord Chart
Major 7 chord voicings, mirrored lefty grip charts and standard tab references in Standard.
Cmaj7 uses the notes C, E, G, B and is shown here as a mirrored left-handed chord chart. Standard tuning keeps the usual string relationships intact, so it is the easiest place to compare left-handed charts with mainstream tab and lesson content. Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.
Open a page
Chord boxes are mirrored for left-handed guitar. Tab and low-to-high shape notation remain standard so common lessons still translate.
Primary Chart
Chord View
Major 7 open-position chart (frets 1-5)
Major 7 open-position chart (frets 1-5)
Major 7 voicing around frets 7-11
Major 7 voicing around frets 5-9
Standard Reference
Tab & Shape Readout
Standard Tab Reference
Left-handed shape (high -> low): 0 0 0 2 3 x Chord tones: C E G B E|-0-| B|-0-| G|-0-| D|-2-| A|-3-| E|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 0 0 0 x 3 x Chord tones: C E G B E|-0-| B|-0-| G|-0-| D|-x-| A|-3-| E|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 7 8 9 9 7 8 Chord tones: C E G B E|-7-| B|-8-| G|-9-| D|-9-| A|-7-| E|-8-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 7 5 5 5 7 8 Chord tones: C E G B E|-7-| B|-5-| G|-5-| D|-5-| A|-7-| E|-8-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Context
How To Use This Page
Major 7 feels lush, polished and sophisticated and works for neo-soul, jazz-pop, chord melody and atmospheric harmony.
Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.
Let notes ring but do not squeeze; these voicings sound better with even pressure than brute force
Standard feels balanced, familiar and easy to compare with lesson material. It lets you focus on left-handed visual translation without also learning a new tuning layout.
- C
- E
- G
- B
Next Step
Matching Left-Handed Scales
Use these scale pages to move from the chord into lead work without leaving the same tuning and key centre.
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