C Standard left-handed chord chart
D#maj7 Left-Handed Guitar Chord Chart
Major 7 chord voicings, mirrored lefty grip charts and standard tab references in C Standard.
D#maj7 uses the notes D#, G, A#, D and is shown here as a mirrored left-handed chord chart. C Standard lowers the whole guitar while keeping interval relationships intact, which is useful for heavy left-handed players who still want logical mirrored charts. Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.
Open a page
Chord boxes are mirrored for left-handed guitar. Tab and low-to-high shape notation remain standard so common lessons still translate.
Primary Chart
Chord View
Major 7 open-position chart (frets 1-5)
Major 7 open-position chart (frets 1-5)
Major 7 voicing around frets 14-18
Major 7 voicing around frets 10-14
Standard Reference
Tab & Shape Readout
Standard Tab Reference
Left-handed shape (high -> low): 2 0 0 0 2 3 Chord tones: D# G A# D C|-2-| G|-0-| D#|-0-| A#|-0-| F|-2-| C|-3-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 2 3 0 0 2 3 Chord tones: D# G A# D C|-2-| G|-3-| D#|-0-| A#|-0-| F|-2-| C|-3-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 14 15 16 16 14 15 Chord tones: D# G A# D C|-14-| G|-15-| D#|-16-| A#|-16-| F|-14-| C|-15-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 10 12 11 12 10 x Chord tones: D# G A# D C|-10-| G|-12-| D#|-11-| A#|-12-| F|-10-| C|-x--|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Context
How To Use This Page
Major 7 feels lush, polished and sophisticated and works for neo-soul, jazz-pop, chord melody and atmospheric harmony.
Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.
Let notes ring but do not squeeze; these voicings sound better with even pressure than brute force
C Standard feels low, thick and heavy without dropping interval logic. It keeps the same shape logic while delivering a heavier voice.
- D#
- G
- A#
- D
Next Step
Matching Left-Handed Scales
Use these scale pages to move from the chord into lead work without leaving the same tuning and key centre.
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