Drop D left-handed chord chart
Emaj7 Left-Handed Guitar Chord Chart
Major 7 chord voicings, mirrored lefty grip charts and standard tab references in Drop D.
Emaj7 uses the notes E, G#, B, D# and is shown here as a mirrored left-handed chord chart. Drop D leaves most of the neck familiar but changes the bass side immediately, which is especially relevant for left-handed players who use mirrored rhythm charts. Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.
Open a page
Chord boxes are mirrored for left-handed guitar. Tab and low-to-high shape notation remain standard so common lessons still translate.
Primary Chart
Chord View
Major 7 open-position chart (frets 1-5)
Major 7 open-position chart (frets 1-5)
Major 7 voicing around frets 7-11
Major 7 voicing around frets 12-16
Standard Reference
Tab & Shape Readout
Standard Tab Reference
Left-handed shape (high -> low): 0 0 1 1 2 2 Chord tones: E G# B D# E|-0-| B|-0-| G|-1-| D|-1-| A|-2-| D|-2-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 0 0 1 1 x 2 Chord tones: E G# B D# E|-0-| B|-0-| G|-1-| D|-1-| A|-x-| D|-2-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 7 9 8 9 7 x Chord tones: E G# B D# E|-7-| B|-9-| G|-8-| D|-9-| A|-7-| D|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 12 12 13 13 14 14 Chord tones: E G# B D# E|-12-| B|-12-| G|-13-| D|-13-| A|-14-| D|-14-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Context
How To Use This Page
Major 7 feels lush, polished and sophisticated and works for neo-soul, jazz-pop, chord melody and atmospheric harmony.
Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.
Let notes ring but do not squeeze; these voicings sound better with even pressure than brute force
Drop D feels heavier on the low end while staying familiar on the top five strings. It makes low-string riffs and one-finger power movement faster to understand in left-handed view.
- E
- G#
- B
- D#
Next Step
Matching Left-Handed Scales
Use these scale pages to move from the chord into lead work without leaving the same tuning and key centre.
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