Whole Step Down left-handed chord chart
Fmaj7 Left-Handed Guitar Chord Chart
Major 7 chord voicings, mirrored lefty grip charts and standard tab references in Whole Step Down.
Fmaj7 uses the notes F, A, C, E and is shown here as a mirrored left-handed chord chart. Whole step down changes the guitar response enough to affect bends, muting and attack, which is useful for heavier left-handed rhythm playing. Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.
Open a page
Chord boxes are mirrored for left-handed guitar. Tab and low-to-high shape notation remain standard so common lessons still translate.
Primary Chart
Chord View
Major 7 open-position chart (frets 1-5)
Major 7 open-position chart (frets 1-5)
Major 7 voicing around frets 14-18
Major 7 voicing around frets 10-14
Standard Reference
Tab & Shape Readout
Standard Tab Reference
Left-handed shape (high -> low): 2 0 0 0 2 3 Chord tones: F A C E D|-2-| A|-0-| F|-0-| C|-0-| G|-2-| D|-3-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 2 3 0 0 2 3 Chord tones: F A C E D|-2-| A|-3-| F|-0-| C|-0-| G|-2-| D|-3-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 14 15 16 16 14 15 Chord tones: F A C E D|-14-| A|-15-| F|-16-| C|-16-| G|-14-| D|-15-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 10 12 11 12 10 x Chord tones: F A C E D|-10-| A|-12-| F|-11-| C|-12-| G|-10-| D|-x--|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Context
How To Use This Page
Major 7 feels lush, polished and sophisticated and works for neo-soul, jazz-pop, chord melody and atmospheric harmony.
Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.
Let notes ring but do not squeeze; these voicings sound better with even pressure than brute force
Whole Step Down feels lower, wider and more elastic under the fingers. It gives familiar fingering a deeper voice without changing interval relationships.
- F
- A
- C
- E
Next Step
Matching Left-Handed Scales
Use these scale pages to move from the chord into lead work without leaving the same tuning and key centre.
Library