DADGAD left-handed scale chart
A# Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in DADGAD.
A# Phrygian Dominant in DADGAD tuning gives you the notes A#, B, D, D#, F, F#, G# across a mirrored left-handed fretboard. DADGAD encourages drones and modal movement, which makes mirrored left-handed charts especially useful because familiar standard shapes stop behaving normally. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
1-5 frets in mirrored left-handed view
11-15 frets in mirrored left-handed view
13-17 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|---------------------------------------------0--1--3--4--| A|------------------------------------1-----2--------------| G|------------------------------1--3-----4-----------------| D|------------------0--1--3--4-----------------------------| A|------------1--2-----------------------------------------| D|0--1--3--4-----------------------------------------------|
0-4 frets • 19 note position run
Position 1 Tab
D|---------------------------------------------0--1--3--4--| A|------------------------------------1-----2--------------| G|------------------------------1--3-----4-----------------| D|------------------0--1--3--4-----------------------------| A|------------1--2-----------------------------------------| D|0--1--3--4-----------------------------------------------|
0-4 frets • 19 note position run
Position 2 Tab
D|---------------------------------------------1--3--4--| A|---------------------------------1-----2--5-----------| G|---------------------------1--3-----4-----------------| D|------------------1--3--4-----------------------------| A|---------1--2--5--------------------------------------| D|1--3--4-----------------------------------------------|
1-5 frets • 18 note position run
Position 3 Tab
D|---------------------------------------------12-13-15-| A|---------------------------------11----13-14----------| G|---------------------------11-13----15----------------| D|------------------12-13-15----------------------------| A|---------11-13-14-------------------------------------| D|12-13-15----------------------------------------------|
11-15 frets • 18 note position run
Position 4 Tab
D|---------------------------------------------13-15-16-| A|---------------------------------13----14-17----------| G|---------------------------13-15----16----------------| D|------------------13-15-16----------------------------| A|---------13-14-17-------------------------------------| D|13-15-16----------------------------------------------|
13-17 frets • 18 note position run
Position 5 Tab
D|---------------------------------------------18-20-21-| A|---------------------------------18----20-21----------| G|---------------------------19-20----22----------------| D|------------------18-20-21----------------------------| A|---------18-20-21-------------------------------------| D|18-20-21----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
DADGAD feels open, droning and harmonically spacious. It rewards left-handed players who want ringing accompaniment and modal colours.
- A#
- B
- D
- D#
- F
- F#
- G#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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