Whole Step Down left-handed scale chart
B Blues Left-Handed Guitar Scale Chart
Blues scale notes, mirrored lefty fretboard positions and standard tab in Whole Step Down.
B Blues in Whole Step Down tuning gives you the notes B, D, E, F, F#, A across a mirrored left-handed fretboard. Whole step down changes the guitar response enough to affect bends, muting and attack, which is useful for heavier left-handed rhythm playing. Because the b5 often gets hit with attitude rather than precision, use the mirrored layout to keep the visual target honest before adding aggressive articulation.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|---------------------------------------0--2--3--4--| A|---------------------------------0--2--------------| F|------------------------0--1--4--------------------| C|------------------2--4-----------------------------| G|------------2--4-----------------------------------| D|0--2--3--4-----------------------------------------|
0-4 frets • 17 note position run
Position 1 Tab
D|---------------------------------------0--2--3--4--| A|---------------------------------0--2--------------| F|------------------------0--1--4--------------------| C|------------------2--4-----------------------------| G|------------2--4-----------------------------------| D|0--2--3--4-----------------------------------------|
0-4 frets • 17 note position run
Position 2 Tab
D|------------------------------------4--7--| A|---------------------------5--7--8--------| F|---------------------4--6-----------------| C|------------4--5--6-----------------------| G|------4--7--------------------------------| D|4--7--------------------------------------|
4-8 frets • 14 note position run
Position 3 Tab
D|---------------------------------------9--12-| A|---------------------------------9--12-------| F|---------------------9--11-12-13-------------| C|---------------9--11-------------------------| G|------9--10-11-------------------------------| D|9--12----------------------------------------|
9-13 frets • 15 note position run
Position 4 Tab
D|---------------------------------------14-15-16-| A|---------------------------------14-17----------| F|---------------------------16-18----------------| C|---------------14-16-17-18----------------------| G|---------14-16----------------------------------| D|14-15-16----------------------------------------|
14-18 frets • 16 note position run
Position 5 Tab
D|------------------------------------19-21-| A|---------------------------19-20-21-------| F|---------------------18-21----------------| C|---------------18-21----------------------| G|------19-21-22----------------------------| D|19-21-------------------------------------|
18-22 frets • 14 note position run
Context
How To Use This Page
Blues feels gritty, tense and expressive and is useful for turnarounds, greasy phrasing and blues-rock solo work.
The blue note still sits in the same fret relationship shown in standard tab, even though the fretboard chart is mirrored for left-handed reading.
Treat the b5 as a passing colour and resolve it deliberately
Whole Step Down feels lower, wider and more elastic under the fingers. It gives familiar fingering a deeper voice without changing interval relationships.
- B
- D
- E
- F
- F#
- A
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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