DADGAD left-handed scale chart
C Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in DADGAD.
C Phrygian Dominant in DADGAD tuning gives you the notes C, C#, E, F, G, G#, A# across a mirrored left-handed fretboard. DADGAD encourages drones and modal movement, which makes mirrored left-handed charts especially useful because familiar standard shapes stop behaving normally. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
1-5 frets in mirrored left-handed view
3-7 frets in mirrored left-handed view
13-17 frets in mirrored left-handed view
15-19 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|---------------------------------------------2--3--5--| A|---------------------------------1-----3--4-----------| G|---------------------------1--3-----5-----------------| D|------------------2--3--5-----------------------------| A|---------1--3--4--------------------------------------| D|2--3--5-----------------------------------------------|
1-5 frets • 18 note position run
Position 1 Tab
D|---------------------------------------------2--3--5--| A|---------------------------------1-----3--4-----------| G|---------------------------1--3-----5-----------------| D|------------------2--3--5-----------------------------| A|---------1--3--4--------------------------------------| D|2--3--5-----------------------------------------------|
1-5 frets • 18 note position run
Position 2 Tab
D|---------------------------------------------3--5--6--| A|---------------------------------3-----4--7-----------| G|---------------------------3--5-----6-----------------| D|------------------3--5--6-----------------------------| A|---------3--4--7--------------------------------------| D|3--5--6-----------------------------------------------|
3-7 frets • 18 note position run
Position 3 Tab
D|---------------------------------------------14-15-17-| A|---------------------------------13----15-16----------| G|---------------------------13-15----17----------------| D|------------------14-15-17----------------------------| A|---------13-15-16-------------------------------------| D|14-15-17----------------------------------------------|
13-17 frets • 18 note position run
Position 4 Tab
D|---------------------------------------------15-17-18-| A|---------------------------------15----16-19----------| G|---------------------------15-17----18----------------| D|------------------15-17-18----------------------------| A|---------15-16-19-------------------------------------| D|15-17-18----------------------------------------------|
15-19 frets • 18 note position run
Position 5 Tab
D|---------------------------------------------18-20-22-| A|---------------------------------19----20-22----------| G|---------------------------18-21----22----------------| D|------------------18-20-22----------------------------| A|---------19-20-22-------------------------------------| D|18-20-22----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
DADGAD feels open, droning and harmonically spacious. It rewards left-handed players who want ringing accompaniment and modal colours.
- C
- C#
- E
- F
- G
- G#
- A#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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