Whole Step Down left-handed scale chart

C# Blues Left-Handed Guitar Scale Chart

Blues scale notes, mirrored lefty fretboard positions and standard tab in Whole Step Down.

C# Blues in Whole Step Down tuning gives you the notes C#, E, F#, G, G#, B across a mirrored left-handed fretboard. Whole step down changes the guitar response enough to affect bends, muting and attack, which is useful for heavier left-handed rhythm playing. Because the b5 often gets hit with attitude rather than precision, use the mirrored layout to keep the visual target honest before adding aggressive articulation.

Open a page

Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.

Formula 1 b3 4 b5 5 b7
Tuning D A F C G D
Scale Notes 6 notes
Mirror View True lefty chart

Primary Chart

Scale View

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8
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5
4
3
2
1
Open
B
G#
G
F#
E
C#
B
G#
G
F#
E
D
G
F#
E
C#
B
G#
G
F#
E
C#
B
A
C#
B
G#
G
F#
E
C#
B
G#
G
F#
F
G#
G
F#
E
C#
B
G#
G
F#
E
C#
C
E
C#
B
G#
G
F#
E
C#
B
G#
G
G
B
G#
G
F#
E
C#
B
G#
G
F#
E
D
Root Note Scale Note

Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.

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2
1
Open
B
G#
G
F#
E
C#
B
G#
G
F#
E
D
G
F#
E
C#
B
G#
G
F#
E
C#
B
A
C#
B
G#
G
F#
E
C#
B
G#
G
F#
F
G#
G
F#
E
C#
B
G#
G
F#
E
C#
C
E
C#
B
G#
G
F#
E
C#
B
G#
G
G
B
G#
G
F#
E
C#
B
G#
G
F#
E
D
Root Note Scale Note

0-4 frets in mirrored left-handed view

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5
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3
2
1
Open
B
G#
G
F#
E
C#
B
G#
G
F#
E
D
G
F#
E
C#
B
G#
G
F#
E
C#
B
A
C#
B
G#
G
F#
E
C#
B
G#
G
F#
F
G#
G
F#
E
C#
B
G#
G
F#
E
C#
C
E
C#
B
G#
G
F#
E
C#
B
G#
G
G
B
G#
G
F#
E
C#
B
G#
G
F#
E
D
Root Note Scale Note

4-8 frets in mirrored left-handed view

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2
1
Open
B
G#
G
F#
E
C#
B
G#
G
F#
E
D
G
F#
E
C#
B
G#
G
F#
E
C#
B
A
C#
B
G#
G
F#
E
C#
B
G#
G
F#
F
G#
G
F#
E
C#
B
G#
G
F#
E
C#
C
E
C#
B
G#
G
F#
E
C#
B
G#
G
G
B
G#
G
F#
E
C#
B
G#
G
F#
E
D
Root Note Scale Note

9-13 frets in mirrored left-handed view

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8
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5
4
3
2
1
Open
B
G#
G
F#
E
C#
B
G#
G
F#
E
D
G
F#
E
C#
B
G#
G
F#
E
C#
B
A
C#
B
G#
G
F#
E
C#
B
G#
G
F#
F
G#
G
F#
E
C#
B
G#
G
F#
E
C#
C
E
C#
B
G#
G
F#
E
C#
B
G#
G
G
B
G#
G
F#
E
C#
B
G#
G
F#
E
D
Root Note Scale Note

14-18 frets in mirrored left-handed view

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3
2
1
Open
B
G#
G
F#
E
C#
B
G#
G
F#
E
D
G
F#
E
C#
B
G#
G
F#
E
C#
B
A
C#
B
G#
G
F#
E
C#
B
G#
G
F#
F
G#
G
F#
E
C#
B
G#
G
F#
E
C#
C
E
C#
B
G#
G
F#
E
C#
B
G#
G
G
B
G#
G
F#
E
C#
B
G#
G
F#
E
D
Root Note Scale Note

18-22 frets in mirrored left-handed view

Standard Reference

Tab & Shape Readout

Position 1 Tab

D|------------------------------------2--4--|
A|------------------------------2--4--------|
F|---------------------1--2--3--------------|
C|---------------1--4-----------------------|
G|------0--1--4-----------------------------|
D|2--4--------------------------------------|

0-4 frets • 14 note position run

Position 1 Tab

D|------------------------------------2--4--|
A|------------------------------2--4--------|
F|---------------------1--2--3--------------|
C|---------------1--4-----------------------|
G|------0--1--4-----------------------------|
D|2--4--------------------------------------|

0-4 frets • 14 note position run

Position 2 Tab

D|---------------------------------------4--5--6--|
A|---------------------------------4--7-----------|
F|---------------------------6--8-----------------|
C|---------------4--6--7--8-----------------------|
G|---------4--6-----------------------------------|
D|4--5--6-----------------------------------------|

4-8 frets • 16 note position run

Position 3 Tab

D|---------------------------------------9--11-|
A|------------------------------9--10-11-------|
F|------------------------11-13----------------|
C|------------------11-13----------------------|
G|------9--11-12-13----------------------------|
D|9--11----------------------------------------|

9-13 frets • 15 note position run

Position 4 Tab

D|---------------------------------------14-16-17-18-|
A|---------------------------------14-16-------------|
F|------------------------14-15-18-------------------|
C|------------------16-18----------------------------|
G|------------16-18----------------------------------|
D|14-16-17-18----------------------------------------|

14-18 frets • 17 note position run

Position 5 Tab

D|------------------------------------18-21-|
A|---------------------------19-21-22-------|
F|---------------------18-20----------------|
C|------------18-19-20----------------------|
G|------18-21-------------------------------|
D|18-21-------------------------------------|

18-22 frets • 14 note position run

Context

How To Use This Page

Overview

Blues feels gritty, tense and expressive and is useful for turnarounds, greasy phrasing and blues-rock solo work.

Lefty Translation

The blue note still sits in the same fret relationship shown in standard tab, even though the fretboard chart is mirrored for left-handed reading.

Practice Cue

Treat the b5 as a passing colour and resolve it deliberately

Tuning Context

Whole Step Down feels lower, wider and more elastic under the fingers. It gives familiar fingering a deeper voice without changing interval relationships.

Scale Notes
  • C#
  • E
  • F#
  • G
  • G#
  • B

Next Step

Matching Left-Handed Chords

These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.

C#m Minor chord Em Minor chord C#m7 Minor 7 chord C#5 Power chord E5 Power chord F#5 Power chord B5 Power chord C#sus4 Sus4 chord

Related Library

Keep Moving Through The Resource

More C# left-handed scales

Blues in nearby keys

Blues in other tunings

Library

Explore More Left-Handed Resources

Scale Library Browse the full left-handed scale library by key, scale family and tuning. Chord Library Open mirrored left-handed chord charts with standard tab references and related scales. Tuning Library Move the same chart system into drop tunings and open tunings without losing the workflow. Start With A Core Page Use a popular left-handed default page first, then branch into other keys and tunings. Popular Chord Page Jump into a familiar chord page and compare the mirrored grip box with the standard tab below it.