C Standard left-handed scale chart
F# Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in C Standard.
F# Phrygian Dominant in C Standard tuning gives you the notes F#, G, A#, B, C#, D, E across a mirrored left-handed fretboard. C Standard lowers the whole guitar while keeping interval relationships intact, which is useful for heavy left-handed players who still want logical mirrored charts. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
13-17 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
C|---------------------------------------------1--2--4--| G|------------------------------------0--3--4-----------| D#|---------------------------1--3--4--------------------| A#|---------------0--1--3--4-----------------------------| F|---------1--2-----------------------------------------| C|1--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
C|---------------------------------------------1--2--4--| G|------------------------------------0--3--4-----------| D#|---------------------------1--3--4--------------------| A#|---------------0--1--3--4-----------------------------| F|---------1--2-----------------------------------------| C|1--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
C|---------------------------------------------4--6--7--| G|------------------------------------4--6--7-----------| D#|---------------------------4--7--8--------------------| A#|------------------4--6--8-----------------------------| F|---------5--6--8--------------------------------------| C|4--6--7-----------------------------------------------|
4-8 frets • 18 note position run
Position 3 Tab
C|---------------------------------------------10-11-13-| G|------------------------------------9--11-12----------| D#|---------------------------10-11-13-------------------| A#|------------------9--12-13----------------------------| F|---------9--11-13-------------------------------------| C|10-11-13----------------------------------------------|
9-13 frets • 18 note position run
Position 4 Tab
C|------------------------------------------13-14-16-| G|------------------------------------15-16----------| D#|---------------------------13-15-16----------------| A#|------------------13-15-16-------------------------| F|---------13-14-17----------------------------------| C|13-14-16-------------------------------------------|
13-17 frets • 17 note position run
Position 5 Tab
C|---------------------------------------------18-19-22-| G|------------------------------------18-19-21----------| D#|---------------------------19-20-22-------------------| A#|------------------18-20-21----------------------------| F|---------18-20-21-------------------------------------| C|18-19-22----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
C Standard feels low, thick and heavy without dropping interval logic. It keeps the same shape logic while delivering a heavier voice.
- F#
- G
- A#
- B
- C#
- D
- E
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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