Drop D left-handed scale chart
F# Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in Drop D.
F# Phrygian Dominant in Drop D tuning gives you the notes F#, G, A#, B, C#, D, E across a mirrored left-handed fretboard. Drop D leaves most of the neck familiar but changes the bass side immediately, which is especially relevant for left-handed players who use mirrored rhythm charts. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
5-9 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
E|---------------------------------------------0--2--3--| B|------------------------------------0--2--3-----------| G|---------------------------0--3--4--------------------| D|------------------0--2--4-----------------------------| A|---------1--2--4--------------------------------------| D|0--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
E|---------------------------------------------0--2--3--| B|------------------------------------0--2--3-----------| G|---------------------------0--3--4--------------------| D|------------------0--2--4-----------------------------| A|---------1--2--4--------------------------------------| D|0--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
E|---------------------------------------------6--7--9--| B|------------------------------------5--7--8-----------| G|---------------------------6--7--9--------------------| D|------------------5--8--9-----------------------------| A|---------5--7--9--------------------------------------| D|5--8--9-----------------------------------------------|
5-9 frets • 18 note position run
Position 3 Tab
E|------------------------------------------9--10-12-| B|------------------------------------11-12----------| G|---------------------------9--11-12----------------| D|------------------9--11-12-------------------------| A|---------9--10-13----------------------------------| D|9--11-12-------------------------------------------|
9-13 frets • 17 note position run
Position 4 Tab
E|---------------------------------------------14-15-18-| B|------------------------------------14-15-17----------| G|---------------------------15-16-18-------------------| D|------------------14-16-17----------------------------| A|---------14-16-17-------------------------------------| D|14-16-17----------------------------------------------|
14-18 frets • 18 note position run
Position 5 Tab
E|------------------------------------18-19-21-22-| B|------------------------------19-20-------------| G|---------------------18-19-21-------------------| D|---------------20-21----------------------------| A|------19-21-22----------------------------------| D|20-21-------------------------------------------|
18-22 frets • 16 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Drop D feels heavier on the low end while staying familiar on the top five strings. It makes low-string riffs and one-finger power movement faster to understand in left-handed view.
- F#
- G
- A#
- B
- C#
- D
- E
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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