Whole Step Down left-handed scale chart
G Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in Whole Step Down.
G Phrygian Dominant in Whole Step Down tuning gives you the notes G, G#, B, C, D, D#, F across a mirrored left-handed fretboard. Whole step down changes the guitar response enough to affect bends, muting and attack, which is useful for heavier left-handed rhythm playing. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
5-9 frets in mirrored left-handed view
10-14 frets in mirrored left-handed view
15-19 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|------------------------------------------0--1--3--| A|------------------------------------2--3-----------| F|---------------------------0--2--3-----------------| C|------------------0--2--3--------------------------| G|---------0--1--4-----------------------------------| D|0--1--3--------------------------------------------|
0-4 frets • 17 note position run
Position 1 Tab
D|------------------------------------------0--1--3--| A|------------------------------------2--3-----------| F|---------------------------0--2--3-----------------| C|------------------0--2--3--------------------------| G|---------0--1--4-----------------------------------| D|0--1--3--------------------------------------------|
0-4 frets • 17 note position run
Position 2 Tab
D|---------------------------------------------5--6--9--| A|------------------------------------5--6--8-----------| F|---------------------------6--7--9--------------------| C|------------------5--7--8-----------------------------| G|---------5--7--8--------------------------------------| D|5--6--9-----------------------------------------------|
5-9 frets • 18 note position run
Position 3 Tab
D|---------------------------------------------10-12-13-| A|------------------------------------10-11-14----------| F|---------------------------10-12-14-------------------| C|------------------11-12-14----------------------------| G|---------10-12-13-------------------------------------| D|10-12-13----------------------------------------------|
10-14 frets • 18 note position run
Position 4 Tab
D|---------------------------------------------15-17-18-| A|------------------------------------15-17-18----------| F|---------------------------15-18-19-------------------| C|------------------15-17-19----------------------------| G|---------16-17-19-------------------------------------| D|15-17-18----------------------------------------------|
15-19 frets • 18 note position run
Position 5 Tab
D|---------------------------------------------18-21-22-| A|------------------------------------18-20-22----------| F|------------------------18-19-21-22-------------------| C|------------------19-20-------------------------------| G|---------19-20-22-------------------------------------| D|18-21-22----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Whole Step Down feels lower, wider and more elastic under the fingers. It gives familiar fingering a deeper voice without changing interval relationships.
- G
- G#
- B
- C
- D
- D#
- F
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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