Shape Type
This is an open-position voicing, so the nut and open-string markers matter as much as the fretted notes.
Standard left-handed chord chart
Learn Asus4 in Standard with a mirrored left-handed grip, a clean string check and a practical change exercise.
Asus4 uses the notes A, D, E and is shown here as a mirrored left-handed chord chart. Standard tuning keeps the usual string relationships intact, so it is the easiest place to compare left-handed charts with mainstream tab and lesson content. The left-handed chart keeps the suspension movement readable without needing to mentally mirror every finger in a right-handed diagram.
Open a page
Chord boxes are mirrored for left-handed guitar. Tab remains standard, and the text shape readout is explicitly labelled high to low.
Primary Chart
Sus4 open-position chart (frets 1-5)
Sus4 open-position chart (frets 1-5)
Sus4 open-position chart (frets 1-5)
Sus4 voicing around frets 5-9
Standard Reference
Left-handed shape (high -> low): 0 x 2 0 0 x Chord tones: A D E E|-0-| B|-x-| G|-2-| D|-0-| A|-0-| E|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Left-handed shape (high -> low): 0 3 x 0 0 x Chord tones: A D E E|-0-| B|-3-| G|-x-| D|-0-| A|-0-| E|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Left-handed shape (high -> low): 0 x x 0 0 x Chord tones: A D E E|-0-| B|-x-| G|-x-| D|-0-| A|-0-| E|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Left-handed shape (high -> low): 5 5 7 7 5 5 Chord tones: A D E E|-5-| B|-5-| G|-7-| D|-7-| A|-5-| E|-5-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Context
Sus4 feels tense, open and unresolved and works for anthemic progressions, rock intros and moving suspended harmony.
Form the first clean shape without strumming, check each intended string, then release and rebuild it five times. Finish with slow four-beat changes between this chord and one familiar chord in Standard.
This is an open-position voicing, so the nut and open-string markers matter as much as the fretted notes.
Let E, D and A ring open, fret G string fret 2, mute B and E.
The quickest lead connection from this chord is A Major. Start there if you want the page to turn into a chord-to-scale practice loop.
Standard feels balanced, familiar and easy to compare with lesson material. It lets you focus on left-handed visual translation without also learning a new tuning layout.
Next Step
Use these scale pages to move from the chord into lead work without leaving the same tuning and key centre.
Practice Notes
This is an open-position voicing, so the nut and open-string markers matter as much as the fretted notes.
Let E, D and A ring open, fret G string fret 2, mute B and E.
The left-handed chart keeps the suspension movement readable without needing to mentally mirror every finger in a right-handed diagram. Standard tab stays unchanged underneath, which means you can still use normal transcriptions.
Release into the major or minor target shape slowly until the left hand can switch without twisting.
The quickest lead connection from this chord is A Major. Start there if you want the page to turn into a chord-to-scale practice loop.
If you are moving from right-handed resources, start here first so the mirrored chart is the only variable. It lets you focus on left-handed visual translation without also learning a new tuning layout.
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