C Standard left-handed chord chart
Bmaj7 Left-Handed Guitar Chord Chart
Major 7 chord voicings, mirrored lefty grip charts and standard tab references in C Standard.
Bmaj7 uses the notes B, D#, F#, A# and is shown here as a mirrored left-handed chord chart. C Standard lowers the whole guitar while keeping interval relationships intact, which is useful for heavy left-handed players who still want logical mirrored charts. Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.
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Chord boxes are mirrored for left-handed guitar. Tab and low-to-high shape notation remain standard so common lessons still translate.
Primary Chart
Chord View
Major 7 voicing around frets 10-14
Major 7 voicing around frets 11-15
Major 7 voicing around frets 6-10
Major 7 voicing around frets 3-7
Standard Reference
Tab & Shape Readout
Standard Tab Reference
Left-handed shape (high -> low): 10 11 12 12 10 11 Chord tones: B D# F# A# C|-10-| G|-11-| D#|-12-| A#|-12-| F|-10-| C|-11-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 11 11 12 12 13 11 Chord tones: B D# F# A# C|-11-| G|-11-| D#|-12-| A#|-12-| F|-13-| C|-11-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 6 8 7 8 6 x Chord tones: B D# F# A# C|-6-| G|-8-| D#|-7-| A#|-8-| F|-6-| C|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 3 3 3 5 6 x Chord tones: B D# F# A# C|-3-| G|-3-| D#|-3-| A#|-5-| F|-6-| C|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Context
How To Use This Page
Major 7 feels lush, polished and sophisticated and works for neo-soul, jazz-pop, chord melody and atmospheric harmony.
Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.
Let notes ring but do not squeeze; these voicings sound better with even pressure than brute force
C Standard feels low, thick and heavy without dropping interval logic. It keeps the same shape logic while delivering a heavier voice.
- B
- D#
- F#
- A#
Next Step
Matching Left-Handed Scales
Use these scale pages to move from the chord into lead work without leaving the same tuning and key centre.
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