C Standard left-handed chord chart
Gmaj7 Left-Handed Guitar Chord Chart
Major 7 chord voicings, mirrored lefty grip charts and standard tab references in C Standard.
Gmaj7 uses the notes G, B, D, F# and is shown here as a mirrored left-handed chord chart. C Standard lowers the whole guitar while keeping interval relationships intact, which is useful for heavy left-handed players who still want logical mirrored charts. Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.
Open a page
Chord boxes are mirrored for left-handed guitar. Tab and low-to-high shape notation remain standard so common lessons still translate.
Primary Chart
Chord View
Major 7 open-position chart (frets 1-5)
Major 7 voicing around frets 6-10
Major 7 voicing around frets 4-8
Major 7 voicing around frets 14-18
Standard Reference
Tab & Shape Readout
Standard Tab Reference
Left-handed shape (high -> low): 2 0 3 1 2 x Chord tones: G B D F# C|-2-| G|-0-| D#|-3-| A#|-1-| F|-2-| C|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 6 7 8 8 6 7 Chord tones: G B D F# C|-6-| G|-7-| D#|-8-| A#|-8-| F|-6-| C|-7-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 6 4 4 4 6 7 Chord tones: G B D F# C|-6-| G|-4-| D#|-4-| A#|-4-| F|-6-| C|-7-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 14 16 15 16 14 x Chord tones: G B D F# C|-14-| G|-16-| D#|-15-| A#|-16-| F|-14-| C|-x--|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Context
How To Use This Page
Major 7 feels lush, polished and sophisticated and works for neo-soul, jazz-pop, chord melody and atmospheric harmony.
Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.
Let notes ring but do not squeeze; these voicings sound better with even pressure than brute force
C Standard feels low, thick and heavy without dropping interval logic. It keeps the same shape logic while delivering a heavier voice.
- G
- B
- D
- F#
Next Step
Matching Left-Handed Scales
Use these scale pages to move from the chord into lead work without leaving the same tuning and key centre.
Library