C Standard left-handed chord chart
Fmaj7 Left-Handed Guitar Chord Chart
Major 7 chord voicings, mirrored lefty grip charts and standard tab references in C Standard.
Fmaj7 uses the notes F, A, C, E and is shown here as a mirrored left-handed chord chart. C Standard lowers the whole guitar while keeping interval relationships intact, which is useful for heavy left-handed players who still want logical mirrored charts. Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.
Open a page
Chord boxes are mirrored for left-handed guitar. Tab and low-to-high shape notation remain standard so common lessons still translate.
Primary Chart
Chord View
Major 7 open-position chart (frets 1-5)
Major 7 open-position chart (frets 1-5)
Major 7 voicing around frets 4-8
Major 7 voicing around frets 12-16
Standard Reference
Tab & Shape Readout
Standard Tab Reference
Left-handed shape (high -> low): 0 2 1 2 0 x Chord tones: F A C E C|-0-| G|-2-| D#|-1-| A#|-2-| F|-0-| C|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 0 2 1 2 0 0 Chord tones: F A C E C|-0-| G|-2-| D#|-1-| A#|-2-| F|-0-| C|-0-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 4 5 6 6 4 5 Chord tones: F A C E C|-4-| G|-5-| D#|-6-| A#|-6-| F|-4-| C|-5-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 12 14 13 14 12 x Chord tones: F A C E C|-12-| G|-14-| D#|-13-| A#|-14-| F|-12-| C|-x--|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Context
How To Use This Page
Major 7 feels lush, polished and sophisticated and works for neo-soul, jazz-pop, chord melody and atmospheric harmony.
Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.
Let notes ring but do not squeeze; these voicings sound better with even pressure than brute force
C Standard feels low, thick and heavy without dropping interval logic. It keeps the same shape logic while delivering a heavier voice.
- F
- A
- C
- E
Next Step
Matching Left-Handed Scales
Use these scale pages to move from the chord into lead work without leaving the same tuning and key centre.
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