DADGAD left-handed scale chart

B Minor Left-Handed Guitar Scale Chart

Learn B Minor in DADGAD with a mirrored left-handed chart, then turn one fret range into a short repeatable practice loop.

B Minor in DADGAD tuning gives you the notes B, C#, D, E, F#, G, A across a mirrored left-handed fretboard. DADGAD encourages drones and modal movement, which makes mirrored left-handed charts especially useful because familiar standard shapes stop behaving normally. Let your picking hand settle into the mirrored note flow first, then train the fretting hand to keep the b3 and b6 in tune during stretches.

Open a page

Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.

Formula 1 2 b3 4 5 b6 b7
Tuning D A G D A D
Scale Notes 7 notes
Mirror View True lefty chart

Primary Chart

Scale View

B Minor Left-Handed Guitar Scale Fretboard Chart in DADGAD Tuning

Full neck left-handed mirror view. Choose a smaller fret-range view when you want a focused practice area.

22
21
20
19
18
17
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
1
Open
B
A
G
F#
E
D
C#
B
A
G
F#
E
D
D
G
F#
E
D
C#
B
A
G
F#
E
D
C#
B
A
A
E
D
C#
B
A
G
F#
E
D
C#
B
A
G
G
B
A
G
F#
E
D
C#
B
A
G
F#
E
D
D
G
F#
E
D
C#
B
A
G
F#
E
D
C#
B
A
A
B
A
G
F#
E
D
C#
B
A
G
F#
E
D
D
Root Note Scale Note

0-4 frets in mirrored left-handed view

22
21
20
19
18
17
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
1
Open
B
A
G
F#
E
D
C#
B
A
G
F#
E
D
D
G
F#
E
D
C#
B
A
G
F#
E
D
C#
B
A
A
E
D
C#
B
A
G
F#
E
D
C#
B
A
G
G
B
A
G
F#
E
D
C#
B
A
G
F#
E
D
D
G
F#
E
D
C#
B
A
G
F#
E
D
C#
B
A
A
B
A
G
F#
E
D
C#
B
A
G
F#
E
D
D
Root Note Scale Note

2-6 frets in mirrored left-handed view

22
21
20
19
18
17
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
1
Open
B
A
G
F#
E
D
C#
B
A
G
F#
E
D
D
G
F#
E
D
C#
B
A
G
F#
E
D
C#
B
A
A
E
D
C#
B
A
G
F#
E
D
C#
B
A
G
G
B
A
G
F#
E
D
C#
B
A
G
F#
E
D
D
G
F#
E
D
C#
B
A
G
F#
E
D
C#
B
A
A
B
A
G
F#
E
D
C#
B
A
G
F#
E
D
D
Root Note Scale Note

12-16 frets in mirrored left-handed view

22
21
20
19
18
17
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
1
Open
B
A
G
F#
E
D
C#
B
A
G
F#
E
D
D
G
F#
E
D
C#
B
A
G
F#
E
D
C#
B
A
A
E
D
C#
B
A
G
F#
E
D
C#
B
A
G
G
B
A
G
F#
E
D
C#
B
A
G
F#
E
D
D
G
F#
E
D
C#
B
A
G
F#
E
D
C#
B
A
A
B
A
G
F#
E
D
C#
B
A
G
F#
E
D
D
Root Note Scale Note

14-18 frets in mirrored left-handed view

22
21
20
19
18
17
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
1
Open
B
A
G
F#
E
D
C#
B
A
G
F#
E
D
D
G
F#
E
D
C#
B
A
G
F#
E
D
C#
B
A
A
E
D
C#
B
A
G
F#
E
D
C#
B
A
G
G
B
A
G
F#
E
D
C#
B
A
G
F#
E
D
D
G
F#
E
D
C#
B
A
G
F#
E
D
C#
B
A
A
B
A
G
F#
E
D
C#
B
A
G
F#
E
D
D
Root Note Scale Note

18-22 frets in mirrored left-handed view

Standard Reference

Tab & Shape Readout

Frets 0-4 Tab

D|---------------------------------------------0--2--4--|
A|---------------------------------0-----2--4-----------|
G|---------------------------0--2-----4-----------------|
D|------------------0--2--4-----------------------------|
A|---------0--2--4--------------------------------------|
D|0--2--4-----------------------------------------------|

0-4 frets • 18 note position run

Frets 0-4 Tab

D|---------------------------------------------0--2--4--|
A|---------------------------------0-----2--4-----------|
G|---------------------------0--2-----4-----------------|
D|------------------0--2--4-----------------------------|
A|---------0--2--4--------------------------------------|
D|0--2--4-----------------------------------------------|

0-4 frets • 18 note position run

Frets 2-6 Tab

D|---------------------------------------------2--4--5--|
A|---------------------------------2-----4--5-----------|
G|---------------------------2--4-----6-----------------|
D|------------------2--4--5-----------------------------|
A|---------2--4--5--------------------------------------|
D|2--4--5-----------------------------------------------|

2-6 frets • 18 note position run

Frets 12-16 Tab

D|---------------------------------------------12-14-16-|
A|---------------------------------12----14-16----------|
G|---------------------------12-14----16----------------|
D|------------------12-14-16----------------------------|
A|---------12-14-16-------------------------------------|
D|12-14-16----------------------------------------------|

12-16 frets • 18 note position run

Frets 14-18 Tab

D|---------------------------------------------14-16-17-|
A|---------------------------------14----16-17----------|
G|---------------------------14-16----18----------------|
D|------------------14-16-17----------------------------|
A|---------14-16-17-------------------------------------|
D|14-16-17----------------------------------------------|

14-18 frets • 18 note position run

Frets 18-22 Tab

D|---------------------------------------19-21-|
A|------------------------------19-21-22-------|
G|---------------------18-19-21----------------|
D|---------------19-21-------------------------|
A|------19-21-22-------------------------------|
D|19-21----------------------------------------|

18-22 frets • 15 note position run

Context

How To Use This Page

Overview

Minor feels dark, weighty and naturally emotive and is useful for rock rhythm work, cinematic melodies and moody lead lines.

10-Minute Practice

Choose Frets 0-4, play slowly up and down, and say the root note B each time it appears. Repeat the same range with a steady pulse, then use one matching chord to hear the scale in context.

Start With

Start with the frets 0-4 view. That window gives you a manageable note map without implying that it is a conventional numbered scale box.

Hear These Notes

Make D and G audible so the page keeps its natural minor colour instead of drifting back into generic minor pentatonic.

Use It Over

Use this scale over Bm, Em and F#m in the same tuning if you want the page to turn into a real musical drill instead of isolated note memorization.

Tuning Context

DADGAD feels open, droning and harmonically spacious. It rewards left-handed players who want ringing accompaniment and modal colours.

Scale Notes
  • B
  • C#
  • D
  • E
  • F#
  • G
  • A

Next Step

Matching Left-Handed Chords

These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.

Practice Notes

What To Focus On

Start Here

Start with the frets 0-4 view. That window gives you a manageable note map without implying that it is a conventional numbered scale box.

Hear The Color

Make D and G audible so the page keeps its natural minor colour instead of drifting back into generic minor pentatonic.

Lesson Translation

The chart is mirrored for left-handed reading, but the tab still reads in the same top-string-to-bottom-string order as every standard transcription.

DADGAD Watchpoint

Watch open-string drones carefully, because the chart orientation changes but the tab still reads in standard order. It rewards left-handed players who want ringing accompaniment and modal colours.

Use It Over

Use this scale over Bm, Em and F#m in the same tuning if you want the page to turn into a real musical drill instead of isolated note memorization.

Practice Job

Make the minor 3rd and minor 6th stand out so the scale sounds fuller than a basic pentatonic box

Library

Explore More Left-Handed Resources