Start Here
Start with the frets 0-4 view. That window gives you a manageable note map without implying that it is a conventional numbered scale box.
Standard left-handed scale chart
Learn C Major Pentatonic in Standard with a mirrored left-handed chart, then turn one fret range into a short repeatable practice loop.
C Major Pentatonic in Standard tuning gives you the notes C, D, E, G, A across a mirrored left-handed fretboard. Standard tuning keeps the usual string relationships intact, so it is the easiest place to compare left-handed charts with mainstream tab and lesson content. This is a useful bridge between right-handed lesson material and lefty charts because the mirrored box still lines up with familiar tab patterns.
Open a page
Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Full neck left-handed mirror view. Choose a smaller fret-range view when you want a focused practice area.
0-4 frets in mirrored left-handed view
3-7 frets in mirrored left-handed view
8-12 frets in mirrored left-handed view
13-17 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
E|------------------------------0--3--| B|------------------------1--3--------| G|------------------0--2--------------| D|------------0--2--------------------| A|------0--3--------------------------| E|0--3--------------------------------|
0-4 frets • 12 note position run
E|------------------------------0--3--| B|------------------------1--3--------| G|------------------0--2--------------| D|------------0--2--------------------| A|------0--3--------------------------| E|0--3--------------------------------|
0-4 frets • 12 note position run
E|---------------------------------3--5--| B|---------------------------3--5--------| G|---------------------5--7--------------| D|---------------5--7--------------------| A|------3--5--7--------------------------| E|3--5-----------------------------------|
3-7 frets • 13 note position run
E|---------------------------------8--10-12-| B|---------------------------8--10----------| G|---------------------9--12----------------| D|---------------10-12----------------------| A|---------10-12----------------------------| E|8--10-12----------------------------------|
8-12 frets • 14 note position run
E|---------------------------------15-17-| B|------------------------13-15-17-------| G|------------------14-17----------------| D|------------14-17----------------------| A|------15-17----------------------------| E|15-17----------------------------------|
13-17 frets • 13 note position run
E|------------------------------20-22-| B|------------------------20-22-------| G|------------------19-21-------------| D|------------19-22-------------------| A|------19-22-------------------------| E|20-22-------------------------------|
18-22 frets • 12 note position run
Context
Major Pentatonic feels clean, vocal and easy to phrase musically and is useful for country fills, melodic pop guitar and easy-to-hear major hooks.
Choose Frets 0-4, play slowly up and down, and say the root note C each time it appears. Repeat the same range with a steady pulse, then use one matching chord to hear the scale in context.
Start with the frets 0-4 view. That window gives you a manageable note map without implying that it is a conventional numbered scale box.
Use E and A as landing notes so the shape sounds melodic instead of like a box exercise.
Use this scale over C, Csus2 and Dsus2 in the same tuning if you want the page to turn into a real musical drill instead of isolated note memorization.
Standard feels balanced, familiar and easy to compare with lesson material. It lets you focus on left-handed visual translation without also learning a new tuning layout.
Next Step
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
Practice Notes
Start with the frets 0-4 view. That window gives you a manageable note map without implying that it is a conventional numbered scale box.
Use E and A as landing notes so the shape sounds melodic instead of like a box exercise.
Use the chart for the visual map and the tab for the exact picking order when you are adapting standard instructional material.
If you are moving from right-handed resources, start here first so the mirrored chart is the only variable. It lets you focus on left-handed visual translation without also learning a new tuning layout.
Use this scale over C, Csus2 and Dsus2 in the same tuning if you want the page to turn into a real musical drill instead of isolated note memorization.
Target the root and 6th for singing phrases instead of running the box blindly
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