DADGAD left-handed scale chart
D# Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in DADGAD.
D# Phrygian Dominant in DADGAD tuning gives you the notes D#, E, G, G#, A#, B, C# across a mirrored left-handed fretboard. DADGAD encourages drones and modal movement, which makes mirrored left-handed charts especially useful because familiar standard shapes stop behaving normally. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
11-15 frets in mirrored left-handed view
16-20 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|------------------------------------------1--2--| A|------------------------------1-----2--4--------| G|---------------------0--1--3-----4--------------| D|---------------1--2-----------------------------| A|------1--2--4-----------------------------------| D|1--2--------------------------------------------|
0-4 frets • 16 note position run
Position 1 Tab
D|------------------------------------------1--2--| A|------------------------------1-----2--4--------| G|---------------------0--1--3-----4--------------| D|---------------1--2-----------------------------| A|------1--2--4-----------------------------------| D|1--2--------------------------------------------|
0-4 frets • 16 note position run
Position 2 Tab
D|---------------------------------------------5--6--8--| A|---------------------------------4-----6--7-----------| G|---------------------------4--6-----8-----------------| D|------------------5--6--8-----------------------------| A|---------4--6--7--------------------------------------| D|5--6--8-----------------------------------------------|
4-8 frets • 18 note position run
Position 3 Tab
D|---------------------------------------------11-13-14-| A|---------------------------------11----13-14----------| G|---------------------------12-13----15----------------| D|------------------11-13-14----------------------------| A|---------11-13-14-------------------------------------| D|11-13-14----------------------------------------------|
11-15 frets • 18 note position run
Position 4 Tab
D|---------------------------------------------17-18-20-| A|---------------------------------16----18-19----------| G|---------------------------16-18----20----------------| D|------------------17-18-20----------------------------| A|---------16-18-19-------------------------------------| D|17-18-20----------------------------------------------|
16-20 frets • 18 note position run
Position 5 Tab
D|---------------------------------------------18-20-21-| A|---------------------------------18----19-22----------| G|---------------------------18-20----21----------------| D|------------------18-20-21----------------------------| A|---------18-19-22-------------------------------------| D|18-20-21----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
DADGAD feels open, droning and harmonically spacious. It rewards left-handed players who want ringing accompaniment and modal colours.
- D#
- E
- G
- G#
- A#
- B
- C#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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