Standard left-handed scale chart

E Phrygian Dominant Left-Handed Guitar Scale Chart

Learn E Phrygian Dominant in Standard with a mirrored left-handed chart, then turn one fret range into a short repeatable practice loop.

E Phrygian Dominant in Standard tuning gives you the notes E, F, G#, A, B, C, D across a mirrored left-handed fretboard. Standard tuning keeps the usual string relationships intact, so it is the easiest place to compare left-handed charts with mainstream tab and lesson content. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.

Open a page

Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.

Formula 1 b2 3 4 5 b6 b7
Tuning E B G D A E
Scale Notes 7 notes
Mirror View True lefty chart

Primary Chart

Scale View

E Phrygian Dominant Left-Handed Guitar Scale Fretboard Chart in Standard Tuning

Full neck left-handed mirror view. Choose a smaller fret-range view when you want a focused practice area.

22
21
20
19
18
17
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
1
Open
D
C
B
A
G#
F
E
D
C
B
A
G#
F
E
E
A
G#
F
E
D
C
B
A
G#
F
E
D
C
B
B
F
E
D
C
B
A
G#
F
E
D
C
B
A
G#
G
C
B
A
G#
F
E
D
C
B
A
G#
F
E
D
D
F
E
D
C
B
A
G#
F
E
D
C
B
A
A
D
C
B
A
G#
F
E
D
C
B
A
G#
F
E
E
Root Note Scale Note

0-4 frets in mirrored left-handed view

22
21
20
19
18
17
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
1
Open
D
C
B
A
G#
F
E
D
C
B
A
G#
F
E
E
A
G#
F
E
D
C
B
A
G#
F
E
D
C
B
B
F
E
D
C
B
A
G#
F
E
D
C
B
A
G#
G
C
B
A
G#
F
E
D
C
B
A
G#
F
E
D
D
F
E
D
C
B
A
G#
F
E
D
C
B
A
A
D
C
B
A
G#
F
E
D
C
B
A
G#
F
E
E
Root Note Scale Note

5-9 frets in mirrored left-handed view

22
21
20
19
18
17
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
1
Open
D
C
B
A
G#
F
E
D
C
B
A
G#
F
E
E
A
G#
F
E
D
C
B
A
G#
F
E
D
C
B
B
F
E
D
C
B
A
G#
F
E
D
C
B
A
G#
G
C
B
A
G#
F
E
D
C
B
A
G#
F
E
D
D
F
E
D
C
B
A
G#
F
E
D
C
B
A
A
D
C
B
A
G#
F
E
D
C
B
A
G#
F
E
E
Root Note Scale Note

10-14 frets in mirrored left-handed view

22
21
20
19
18
17
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
1
Open
D
C
B
A
G#
F
E
D
C
B
A
G#
F
E
E
A
G#
F
E
D
C
B
A
G#
F
E
D
C
B
B
F
E
D
C
B
A
G#
F
E
D
C
B
A
G#
G
C
B
A
G#
F
E
D
C
B
A
G#
F
E
D
D
F
E
D
C
B
A
G#
F
E
D
C
B
A
A
D
C
B
A
G#
F
E
D
C
B
A
G#
F
E
E
Root Note Scale Note

15-19 frets in mirrored left-handed view

22
21
20
19
18
17
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
1
Open
D
C
B
A
G#
F
E
D
C
B
A
G#
F
E
E
A
G#
F
E
D
C
B
A
G#
F
E
D
C
B
B
F
E
D
C
B
A
G#
F
E
D
C
B
A
G#
G
C
B
A
G#
F
E
D
C
B
A
G#
F
E
D
D
F
E
D
C
B
A
G#
F
E
D
C
B
A
A
D
C
B
A
G#
F
E
D
C
B
A
G#
F
E
E
Root Note Scale Note

18-22 frets in mirrored left-handed view

Standard Reference

Tab & Shape Readout

Frets 0-4 Tab

E|---------------------------------------------0--1--4--|
B|------------------------------------0--1--3-----------|
G|---------------------------1--2--4--------------------|
D|------------------0--2--3-----------------------------|
A|---------0--2--3--------------------------------------|
E|0--1--4-----------------------------------------------|

0-4 frets • 18 note position run

Frets 0-4 Tab

E|---------------------------------------------0--1--4--|
B|------------------------------------0--1--3-----------|
G|---------------------------1--2--4--------------------|
D|------------------0--2--3-----------------------------|
A|---------0--2--3--------------------------------------|
E|0--1--4-----------------------------------------------|

0-4 frets • 18 note position run

Frets 5-9 Tab

E|---------------------------------------------5--7--8--|
B|------------------------------------5--6--9-----------|
G|---------------------------5--7--9--------------------|
D|------------------6--7--9-----------------------------|
A|---------5--7--8--------------------------------------|
E|5--7--8-----------------------------------------------|

5-9 frets • 18 note position run

Frets 10-14 Tab

E|---------------------------------------------10-12-13-|
B|------------------------------------10-12-13----------|
G|---------------------------10-13-14-------------------|
D|------------------10-12-14----------------------------|
A|---------11-12-14-------------------------------------|
E|10-12-13----------------------------------------------|

10-14 frets • 18 note position run

Frets 15-19 Tab

E|---------------------------------------------16-17-19-|
B|------------------------------------15-17-18----------|
G|---------------------------16-17-19-------------------|
D|------------------15-18-19----------------------------|
A|---------15-17-19-------------------------------------|
E|16-17-19----------------------------------------------|

15-19 frets • 18 note position run

Frets 18-22 Tab

E|---------------------------------------------19-20-22-|
B|------------------------------------18-21-22----------|
G|---------------------------19-21-22-------------------|
D|---------------18-19-21-22----------------------------|
A|---------19-20----------------------------------------|
E|19-20-22----------------------------------------------|

18-22 frets • 18 note position run

Context

How To Use This Page

Overview

Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.

10-Minute Practice

Choose Frets 0-4, play slowly up and down, and say the root note E each time it appears. Repeat the same range with a steady pulse, then use one matching chord to hear the scale in context.

Start With

Start with the frets 0-4 view. That window gives you a manageable note map without implying that it is a conventional numbered scale box.

Hear These Notes

Hear F and G# together so the exotic dominant colour does not flatten into something generic.

Use It Over

Use this scale over E7, E and F in the same tuning if you want the page to turn into a real musical drill instead of isolated note memorization.

Tuning Context

Standard feels balanced, familiar and easy to compare with lesson material. It lets you focus on left-handed visual translation without also learning a new tuning layout.

Scale Notes
  • E
  • F
  • G#
  • A
  • B
  • C
  • D

Next Step

Matching Left-Handed Chords

These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.

E7 Dominant 7 chord E Major chord F Major chord Eaug Augmented chord G#aug Augmented chord Caug Augmented chord E5 Power chord F5 Power chord

Practice Notes

What To Focus On

Start Here

Start with the frets 0-4 view. That window gives you a manageable note map without implying that it is a conventional numbered scale box.

Hear The Color

Hear F and G# together so the exotic dominant colour does not flatten into something generic.

Lesson Translation

Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.

Standard Watchpoint

If you are moving from right-handed resources, start here first so the mirrored chart is the only variable. It lets you focus on left-handed visual translation without also learning a new tuning layout.

Use It Over

Use this scale over E7, E and F in the same tuning if you want the page to turn into a real musical drill instead of isolated note memorization.

Practice Job

Feature the jump from b2 to 3 early so the mode reveals itself instantly

Related Library

Keep Moving Through The Resource

More E left-handed scales

Phrygian Dominant in nearby keys

Phrygian Dominant in other tunings

Library

Explore More Left-Handed Resources

Put It Into Music Move next to E7 in the same tuning and alternate one chord pass with one scale pass. Scale Hub Jump into the closest topic hub for this scale family instead of restarting from the full library. Tuning Hub Use the matching tuning hub if you want more left-handed pages built around this setup. Chord Library Move from the scale into mirrored chord pages in the same left-handed system. Read The Charts Use the diagram guide to keep mirrored fretboard geography and standard tab roles clear. Core Scale Page Reset on the default left-handed scale page if you want the cleanest baseline comparison.