Start Here
Start with the frets 0-4 view. That window gives you a manageable note map without implying that it is a conventional numbered scale box.
Drop D left-handed scale chart
F Phrygian Dominant Left-Handed Guitar Scale Chart
Learn F Phrygian Dominant in Drop D with a mirrored left-handed chart, then turn one fret range into a short repeatable practice loop.
F Phrygian Dominant in Drop D tuning gives you the notes F, F#, A, A#, C, C#, D# across a mirrored left-handed fretboard. Drop D leaves most of the neck familiar but changes the bass side immediately, which is especially relevant for left-handed players who use mirrored rhythm charts. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
Open a page
Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Formula
1 b2 3 4 5 b6 b7
Tuning
E B G D A D
Scale Notes
7 notes
Mirror View
True lefty chart
Primary Chart
Scale View
Full neck left-handed mirror view. Choose a smaller fret-range view when you want a focused practice area.
22
21
20
19
18
17
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
1
Open
C#
C
A#
A
F#
F
D#
C#
C
A#
A
F#
F
E
A
F#
F
D#
C#
C
A#
A
F#
F
D#
C#
C
B
F
D#
C#
C
A#
A
F#
F
D#
C#
C
A#
A
G
C
A#
A
F#
F
D#
C#
C
A#
A
F#
F
D#
D
F#
F
D#
C#
C
A#
A
F#
F
D#
C#
C
A#
A
A
C
A#
A
F#
F
D#
C#
C
A#
A
F#
F
D#
D
Root Note
Scale Note
0-4 frets in mirrored left-handed view
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21
20
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18
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16
15
14
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12
11
10
9
8
7
6
5
4
3
2
1
Open
C#
C
A#
A
F#
F
D#
C#
C
A#
A
F#
F
E
A
F#
F
D#
C#
C
A#
A
F#
F
D#
C#
C
B
F
D#
C#
C
A#
A
F#
F
D#
C#
C
A#
A
G
C
A#
A
F#
F
D#
C#
C
A#
A
F#
F
D#
D
F#
F
D#
C#
C
A#
A
F#
F
D#
C#
C
A#
A
A
C
A#
A
F#
F
D#
C#
C
A#
A
F#
F
D#
D
Root Note
Scale Note
4-8 frets in mirrored left-handed view
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21
20
19
18
17
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
1
Open
C#
C
A#
A
F#
F
D#
C#
C
A#
A
F#
F
E
A
F#
F
D#
C#
C
A#
A
F#
F
D#
C#
C
B
F
D#
C#
C
A#
A
F#
F
D#
C#
C
A#
A
G
C
A#
A
F#
F
D#
C#
C
A#
A
F#
F
D#
D
F#
F
D#
C#
C
A#
A
F#
F
D#
C#
C
A#
A
A
C
A#
A
F#
F
D#
C#
C
A#
A
F#
F
D#
D
Root Note
Scale Note
8-12 frets in mirrored left-handed view
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21
20
19
18
17
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
1
Open
C#
C
A#
A
F#
F
D#
C#
C
A#
A
F#
F
E
A
F#
F
D#
C#
C
A#
A
F#
F
D#
C#
C
B
F
D#
C#
C
A#
A
F#
F
D#
C#
C
A#
A
G
C
A#
A
F#
F
D#
C#
C
A#
A
F#
F
D#
D
F#
F
D#
C#
C
A#
A
F#
F
D#
C#
C
A#
A
A
C
A#
A
F#
F
D#
C#
C
A#
A
F#
F
D#
D
Root Note
Scale Note
13-17 frets in mirrored left-handed view
22
21
20
19
18
17
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
1
Open
C#
C
A#
A
F#
F
D#
C#
C
A#
A
F#
F
E
A
F#
F
D#
C#
C
A#
A
F#
F
D#
C#
C
B
F
D#
C#
C
A#
A
F#
F
D#
C#
C
A#
A
G
C
A#
A
F#
F
D#
C#
C
A#
A
F#
F
D#
D
F#
F
D#
C#
C
A#
A
F#
F
D#
C#
C
A#
A
A
C
A#
A
F#
F
D#
C#
C
A#
A
F#
F
D#
D
Root Note
Scale Note
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Frets 0-4 Tab
E|---------------------------------------------1--2--| B|------------------------------------1--2--4--------| G|------------------------------2--3-----------------| D|---------------------1--3--4-----------------------| A|---------0--1--3--4--------------------------------| D|1--3--4--------------------------------------------|
0-4 frets • 17 note position run
Frets 0-4 Tab
E|---------------------------------------------1--2--| B|------------------------------------1--2--4--------| G|------------------------------2--3-----------------| D|---------------------1--3--4-----------------------| A|---------0--1--3--4--------------------------------| D|1--3--4--------------------------------------------|
0-4 frets • 17 note position run
Frets 4-8 Tab
E|---------------------------------------------5--6--8--| B|------------------------------------4--6--7-----------| G|---------------------------5--6--8--------------------| D|------------------4--7--8-----------------------------| A|---------4--6--8--------------------------------------| D|4--7--8-----------------------------------------------|
4-8 frets • 18 note position run
Frets 8-12 Tab
E|------------------------------------------8--9--11-| B|------------------------------------10-11----------| G|---------------------------8--10-11----------------| D|------------------8--10-11-------------------------| A|---------8--9--12----------------------------------| D|8--10-11-------------------------------------------|
8-12 frets • 17 note position run
Frets 13-17 Tab
E|---------------------------------------------13-14-17-| B|------------------------------------13-14-16----------| G|---------------------------14-15-17-------------------| D|------------------13-15-16----------------------------| A|---------13-15-16-------------------------------------| D|13-15-16----------------------------------------------|
13-17 frets • 18 note position run
Frets 18-22 Tab
E|---------------------------------------------18-20-21-| B|------------------------------------18-19-22----------| G|---------------------------18-20-22-------------------| D|------------------19-20-22----------------------------| A|---------18-20-21-------------------------------------| D|19-20-22----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Overview
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
10-Minute Practice
Choose Frets 0-4, play slowly up and down, and say the root note F each time it appears. Repeat the same range with a steady pulse, then use one matching chord to hear the scale in context.
Start With
Start with the frets 0-4 view. That window gives you a manageable note map without implying that it is a conventional numbered scale box.
Hear These Notes
Hear F# and A together so the exotic dominant colour does not flatten into something generic.
Use It Over
Use this scale over F7, F and F# in the same tuning if you want the page to turn into a real musical drill instead of isolated note memorization.
Tuning Context
Drop D feels heavier on the low end while staying familiar on the top five strings. It makes low-string riffs and one-finger power movement faster to understand in left-handed view.
Scale Notes
- F
- F#
- A
- A#
- C
- C#
- D#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
Practice Notes
What To Focus On
Hear The Color
Hear F# and A together so the exotic dominant colour does not flatten into something generic.
Lesson Translation
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Drop D Watchpoint
The right edge of the mirrored chart is where the drop-tuned movement lives, so keep your eye there first. It makes low-string riffs and one-finger power movement faster to understand in left-handed view.
Use It Over
Use this scale over F7, F and F# in the same tuning if you want the page to turn into a real musical drill instead of isolated note memorization.
Practice Job
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Library
Explore More Left-Handed Resources
Put It Into Music
Move next to F7 in the same tuning and alternate one chord pass with one scale pass.
Scale Hub
Jump into the closest topic hub for this scale family instead of restarting from the full library.
Tuning Hub
Use the matching tuning hub if you want more left-handed pages built around this setup.
Chord Library
Move from the scale into mirrored chord pages in the same left-handed system.
Read The Charts
Use the diagram guide to keep mirrored fretboard geography and standard tab roles clear.
Core Scale Page
Reset on the default left-handed scale page if you want the cleanest baseline comparison.