C Standard left-handed scale chart
G# Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in C Standard.
G# Phrygian Dominant in C Standard tuning gives you the notes G#, A, C, C#, D#, E, F# across a mirrored left-handed fretboard. C Standard lowers the whole guitar while keeping interval relationships intact, which is useful for heavy left-handed players who still want logical mirrored charts. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
3-7 frets in mirrored left-handed view
8-12 frets in mirrored left-handed view
13-17 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
C|------------------------------------------0--1--3--4--| G|------------------------------------1--2--------------| D#|---------------------------0--1--3--------------------| A#|---------------------2--3-----------------------------| F|------------1--3--4-----------------------------------| C|0--1--3--4--------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
C|------------------------------------------0--1--3--4--| G|------------------------------------1--2--------------| D#|---------------------------0--1--3--------------------| A#|---------------------2--3-----------------------------| F|------------1--3--4-----------------------------------| C|0--1--3--4--------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
C|------------------------------------------3--4--6--| G|------------------------------------5--6-----------| D#|---------------------------3--5--6-----------------| A#|------------------3--5--6--------------------------| F|---------3--4--7-----------------------------------| C|3--4--6--------------------------------------------|
3-7 frets • 17 note position run
Position 3 Tab
C|---------------------------------------------8--9--12-| G|------------------------------------8--9--11----------| D#|---------------------------9--10-12-------------------| A#|------------------8--10-11----------------------------| F|---------8--10-11-------------------------------------| C|8--9--12----------------------------------------------|
8-12 frets • 18 note position run
Position 4 Tab
C|---------------------------------------------13-15-16-| G|------------------------------------13-14-17----------| D#|---------------------------13-15-17-------------------| A#|------------------14-15-17----------------------------| F|---------13-15-16-------------------------------------| C|13-15-16----------------------------------------------|
13-17 frets • 18 note position run
Position 5 Tab
C|---------------------------------------------18-20-21-| G|------------------------------------18-20-21----------| D#|---------------------------18-21-22-------------------| A#|------------------18-20-22----------------------------| F|---------19-20-22-------------------------------------| C|18-20-21----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
C Standard feels low, thick and heavy without dropping interval logic. It keeps the same shape logic while delivering a heavier voice.
- G#
- A
- C
- C#
- D#
- E
- F#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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