Start Here
Start with the frets 0-4 view. That window gives you a manageable note map without implying that it is a conventional numbered scale box.
Standard left-handed scale chart
Learn A Blues in Standard with a mirrored left-handed chart, then turn one fret range into a short repeatable practice loop.
A Blues in Standard tuning gives you the notes A, C, D, D#, E, G across a mirrored left-handed fretboard. Standard tuning keeps the usual string relationships intact, so it is the easiest place to compare left-handed charts with mainstream tab and lesson content. Because the b5 often gets hit with attitude rather than precision, use the mirrored layout to keep the visual target honest before adding aggressive articulation.
Open a page
Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Full neck left-handed mirror view. Choose a smaller fret-range view when you want a focused practice area.
0-4 frets in mirrored left-handed view
5-9 frets in mirrored left-handed view
10-14 frets in mirrored left-handed view
15-19 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
E|------------------------------------0--3--| B|---------------------------1--3--4--------| G|---------------------0--2-----------------| D|------------0--1--2-----------------------| A|------0--3--------------------------------| E|0--3--------------------------------------|
0-4 frets • 14 note position run
E|------------------------------------0--3--| B|---------------------------1--3--4--------| G|---------------------0--2-----------------| D|------------0--1--2-----------------------| A|------0--3--------------------------------| E|0--3--------------------------------------|
0-4 frets • 14 note position run
E|---------------------------------------5--8--| B|---------------------------------5--8--------| G|---------------------5--7--8--9--------------| D|---------------5--7--------------------------| A|------5--6--7--------------------------------| E|5--8-----------------------------------------|
5-9 frets • 15 note position run
E|---------------------------------------10-11-12-| B|---------------------------------10-13----------| G|---------------------------12-14----------------| D|---------------10-12-13-14----------------------| A|---------10-12----------------------------------| E|10-11-12----------------------------------------|
10-14 frets • 16 note position run
E|---------------------------------------15-17-| B|------------------------------15-16-17-------| G|------------------------17-19----------------| D|------------------17-19----------------------| A|------15-17-18-19----------------------------| E|15-17----------------------------------------|
15-19 frets • 15 note position run
E|------------------------------------20-22-| B|------------------------------20-22-------| G|---------------------19-20-21-------------| D|---------------19-22----------------------| A|------18-19-22----------------------------| E|20-22-------------------------------------|
18-22 frets • 14 note position run
Context
Blues feels gritty, tense and expressive and is useful for turnarounds, greasy phrasing and blues-rock solo work.
Choose Frets 0-4, play slowly up and down, and say the root note A each time it appears. Repeat the same range with a steady pulse, then use one matching chord to hear the scale in context.
Start with the frets 0-4 view. That window gives you a manageable note map without implying that it is a conventional numbered scale box.
Treat D# as tension notes that want a deliberate resolution, not as notes to sit on carelessly.
Use this scale over Am, Cm and Am7 in the same tuning if you want the page to turn into a real musical drill instead of isolated note memorization.
Standard feels balanced, familiar and easy to compare with lesson material. It lets you focus on left-handed visual translation without also learning a new tuning layout.
Next Step
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
Practice Notes
Start with the frets 0-4 view. That window gives you a manageable note map without implying that it is a conventional numbered scale box.
Treat D# as tension notes that want a deliberate resolution, not as notes to sit on carelessly.
The blue note still sits in the same fret relationship shown in standard tab, even though the fretboard chart is mirrored for left-handed reading.
If you are moving from right-handed resources, start here first so the mirrored chart is the only variable. It lets you focus on left-handed visual translation without also learning a new tuning layout.
Use this scale over Am, Cm and Am7 in the same tuning if you want the page to turn into a real musical drill instead of isolated note memorization.
Treat the b5 as a passing colour and resolve it deliberately
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