Start Here
Start with the frets 0-4 view. That window gives you a manageable note map without implying that it is a conventional numbered scale box.
Standard left-handed scale chart
Learn A Minor Pentatonic in Standard with a mirrored left-handed chart, then turn one fret range into a short repeatable practice loop.
A Minor Pentatonic in Standard tuning gives you the notes A, C, D, E, G across a mirrored left-handed fretboard. Standard tuning keeps the usual string relationships intact, so it is the easiest place to compare left-handed charts with mainstream tab and lesson content. The mirrored chart makes the note map natural to a left-handed eye, which matters because this is often the first scale lefty players learn.
Open a page
Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Full neck left-handed mirror view. Choose a smaller fret-range view when you want a focused practice area.
0-4 frets in mirrored left-handed view
5-9 frets in mirrored left-handed view
10-14 frets in mirrored left-handed view
15-19 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
E|------------------------------0--3--| B|------------------------1--3--------| G|------------------0--2--------------| D|------------0--2--------------------| A|------0--3--------------------------| E|0--3--------------------------------|
0-4 frets • 12 note position run
E|------------------------------0--3--| B|------------------------1--3--------| G|------------------0--2--------------| D|------------0--2--------------------| A|------0--3--------------------------| E|0--3--------------------------------|
0-4 frets • 12 note position run
E|---------------------------------5--8--| B|---------------------------5--8--------| G|------------------5--7--9--------------| D|------------5--7-----------------------| A|------5--7-----------------------------| E|5--8-----------------------------------|
5-9 frets • 13 note position run
E|---------------------------------10-12-| B|---------------------------10-13-------| G|---------------------12-14-------------| D|------------10-12-14-------------------| A|------10-12----------------------------| E|10-12----------------------------------|
10-14 frets • 13 note position run
E|---------------------------------15-17-| B|---------------------------15-17-------| G|---------------------17-19-------------| D|---------------17-19-------------------| A|------15-17-19-------------------------| E|15-17----------------------------------|
15-19 frets • 13 note position run
E|------------------------------20-22-| B|------------------------20-22-------| G|------------------19-21-------------| D|------------19-22-------------------| A|------19-22-------------------------| E|20-22-------------------------------|
18-22 frets • 12 note position run
Context
Minor Pentatonic feels direct, punchy and riff-friendly and is useful for blues-rock solos, familiar lead guitar and stubborn riff writing.
Choose Frets 0-4, play slowly up and down, and say the root note A each time it appears. Repeat the same range with a steady pulse, then use one matching chord to hear the scale in context.
Start with the frets 0-4 view. That window gives you a manageable note map without implying that it is a conventional numbered scale box.
Use C and G as the notes that give the shape its familiar blues-rock identity.
Use this scale over Am, Am7 and A5 in the same tuning if you want the page to turn into a real musical drill instead of isolated note memorization.
Standard feels balanced, familiar and easy to compare with lesson material. It lets you focus on left-handed visual translation without also learning a new tuning layout.
Next Step
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
Practice Notes
Start with the frets 0-4 view. That window gives you a manageable note map without implying that it is a conventional numbered scale box.
Use C and G as the notes that give the shape its familiar blues-rock identity.
When a right-handed teacher says start on the sixth string, go to the far-right string in this chart and keep the tab as your note-order reference.
If you are moving from right-handed resources, start here first so the mirrored chart is the only variable. It lets you focus on left-handed visual translation without also learning a new tuning layout.
Use this scale over Am, Am7 and A5 in the same tuning if you want the page to turn into a real musical drill instead of isolated note memorization.
Anchor the root and b7, then bring in bends around the b3 for feel instead of speed alone
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