Start Here
Start with the frets 0-4 view. That window gives you a manageable note map without implying that it is a conventional numbered scale box.
Standard left-handed scale chart
Learn A Major in Standard with a mirrored left-handed chart, then turn one fret range into a short repeatable practice loop.
A Major in Standard tuning gives you the notes A, B, C#, D, E, F#, G# across a mirrored left-handed fretboard. Standard tuning keeps the usual string relationships intact, so it is the easiest place to compare left-handed charts with mainstream tab and lesson content. Use the mirrored chart to keep the bass side on the far right, then compare the unchanged tab underneath when translating mainstream lessons.
Open a page
Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Full neck left-handed mirror view. Choose a smaller fret-range view when you want a focused practice area.
0-4 frets in mirrored left-handed view
5-9 frets in mirrored left-handed view
10-14 frets in mirrored left-handed view
15-19 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
E|---------------------------------------------0--2--4--| B|------------------------------------0--2--3-----------| G|---------------------------1--2--4--------------------| D|------------------0--2--4-----------------------------| A|---------0--2--4--------------------------------------| E|0--2--4-----------------------------------------------|
0-4 frets • 18 note position run
E|---------------------------------------------0--2--4--| B|------------------------------------0--2--3-----------| G|---------------------------1--2--4--------------------| D|------------------0--2--4-----------------------------| A|---------0--2--4--------------------------------------| E|0--2--4-----------------------------------------------|
0-4 frets • 18 note position run
E|---------------------------------------------5--7--9--| B|------------------------------------5--7--9-----------| G|---------------------------6--7--9--------------------| D|------------------6--7--9-----------------------------| A|---------5--7--9--------------------------------------| E|5--7--9-----------------------------------------------|
5-9 frets • 18 note position run
E|---------------------------------------------10-12-14-| B|------------------------------------10-12-14----------| G|---------------------------11-13-14-------------------| D|------------------11-12-14----------------------------| A|---------11-12-14-------------------------------------| E|10-12-14----------------------------------------------|
10-14 frets • 18 note position run
E|---------------------------------------------16-17-19-| B|------------------------------------15-17-19----------| G|---------------------------16-18-19-------------------| D|------------------16-18-19----------------------------| A|---------16-17-19-------------------------------------| E|16-17-19----------------------------------------------|
15-19 frets • 18 note position run
E|------------------------------------------19-21-22-| B|---------------------------------19-21-22----------| G|------------------------18-19-21-------------------| D|---------------18-19-21----------------------------| A|---------19-21-------------------------------------| E|19-21-22-------------------------------------------|
18-22 frets • 17 note position run
Context
Major feels bright, open and strongly resolved and is useful for melodic hooks, clean chord melody and pop or country lead guitar.
Choose Frets 0-4, play slowly up and down, and say the root note A each time it appears. Repeat the same range with a steady pulse, then use one matching chord to hear the scale in context.
Start with the frets 0-4 view. That window gives you a manageable note map without implying that it is a conventional numbered scale box.
Keep C# and G# obvious so the line sounds fully major instead of collapsing into a simpler pentatonic shape.
Use this scale over A, D and E in the same tuning if you want the page to turn into a real musical drill instead of isolated note memorization.
Standard feels balanced, familiar and easy to compare with lesson material. It lets you focus on left-handed visual translation without also learning a new tuning layout.
Next Step
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
Practice Notes
Start with the frets 0-4 view. That window gives you a manageable note map without implying that it is a conventional numbered scale box.
Keep C# and G# obvious so the line sounds fully major instead of collapsing into a simpler pentatonic shape.
If a right-handed lesson tells you to shift a major shape up the neck on the low E string, that string sits on the right edge of the chart here.
If you are moving from right-handed resources, start here first so the mirrored chart is the only variable. It lets you focus on left-handed visual translation without also learning a new tuning layout.
Use this scale over A, D and E in the same tuning if you want the page to turn into a real musical drill instead of isolated note memorization.
Land clearly on the 3rd and 7th so the major colour stays obvious
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