Start Here
Start with the frets 0-4 view. That window gives you a manageable note map without implying that it is a conventional numbered scale box.
Standard left-handed scale chart
Learn A Dorian in Standard with a mirrored left-handed chart, then turn one fret range into a short repeatable practice loop.
A Dorian in Standard tuning gives you the notes A, B, C, D, E, F#, G across a mirrored left-handed fretboard. Standard tuning keeps the usual string relationships intact, so it is the easiest place to compare left-handed charts with mainstream tab and lesson content. Use the mirrored view to spot the natural 6th against the root on the correct side of the neck before trying faster modal runs.
Open a page
Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Full neck left-handed mirror view. Choose a smaller fret-range view when you want a focused practice area.
0-4 frets in mirrored left-handed view
5-9 frets in mirrored left-handed view
10-14 frets in mirrored left-handed view
15-19 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
E|---------------------------------------------0--2--3--| B|------------------------------------0--1--3-----------| G|---------------------------0--2--4--------------------| D|------------------0--2--4-----------------------------| A|---------0--2--3--------------------------------------| E|0--2--3-----------------------------------------------|
0-4 frets • 18 note position run
E|---------------------------------------------0--2--3--| B|------------------------------------0--1--3-----------| G|---------------------------0--2--4--------------------| D|------------------0--2--4-----------------------------| A|---------0--2--3--------------------------------------| E|0--2--3-----------------------------------------------|
0-4 frets • 18 note position run
E|---------------------------------------------5--7--8--| B|------------------------------------5--7--8-----------| G|---------------------------5--7--9--------------------| D|------------------5--7--9-----------------------------| A|---------5--7--9--------------------------------------| E|5--7--8-----------------------------------------------|
5-9 frets • 18 note position run
E|---------------------------------------------10-12-14-| B|------------------------------------10-12-13----------| G|---------------------------11-12-14-------------------| D|------------------10-12-14----------------------------| A|---------10-12-14-------------------------------------| E|10-12-14----------------------------------------------|
10-14 frets • 18 note position run
E|---------------------------------------------15-17-19-| B|------------------------------------15-17-19----------| G|---------------------------16-17-19-------------------| D|------------------16-17-19----------------------------| A|---------15-17-19-------------------------------------| E|15-17-19----------------------------------------------|
15-19 frets • 18 note position run
E|------------------------------------------19-20-22-| B|---------------------------------19-20-22----------| G|---------------------------19-21-------------------| D|------------------19-21-22-------------------------| A|---------19-21-22----------------------------------| E|19-20-22-------------------------------------------|
18-22 frets • 17 note position run
Context
Dorian feels minor but airy, with a lifted sixth and is useful for funk grooves, modal jams and fusion phrasing.
Choose Frets 0-4, play slowly up and down, and say the root note A each time it appears. Repeat the same range with a steady pulse, then use one matching chord to hear the scale in context.
Start with the frets 0-4 view. That window gives you a manageable note map without implying that it is a conventional numbered scale box.
Hear F# clearly because those notes separate Dorian from plain minor very quickly.
Use this scale over Am, Bm and Em in the same tuning if you want the page to turn into a real musical drill instead of isolated note memorization.
Standard feels balanced, familiar and easy to compare with lesson material. It lets you focus on left-handed visual translation without also learning a new tuning layout.
Next Step
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
Practice Notes
Start with the frets 0-4 view. That window gives you a manageable note map without implying that it is a conventional numbered scale box.
Hear F# clearly because those notes separate Dorian from plain minor very quickly.
If a lesson points to the upper strings for the Dorian colour note, those strings sit on the left side of the left-handed chart here.
If you are moving from right-handed resources, start here first so the mirrored chart is the only variable. It lets you focus on left-handed visual translation without also learning a new tuning layout.
Use this scale over Am, Bm and Em in the same tuning if you want the page to turn into a real musical drill instead of isolated note memorization.
Bring out the natural 6th so the mode does not flatten back into natural minor
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