Drop D left-handed chord chart
A7 Left-Handed Guitar Chord Chart
Dominant 7 chord voicings, mirrored lefty grip charts and standard tab references in Drop D.
A7 uses the notes A, C#, E, G and is shown here as a mirrored left-handed chord chart. Drop D leaves most of the neck familiar but changes the bass side immediately, which is especially relevant for left-handed players who use mirrored rhythm charts. The mirrored chart keeps the bass note on the correct side for lefty rhythm players who want to connect groove and harmony quickly.
Open a page
Chord boxes are mirrored for left-handed guitar. Tab and low-to-high shape notation remain standard so common lessons still translate.
Primary Chart
Chord View
Dominant 7 open-position chart (frets 1-5)
Dominant 7 open-position chart (frets 1-5)
Dominant 7 voicing around frets 5-9
Dominant 7 voicing around frets 7-11
Standard Reference
Tab & Shape Readout
Standard Tab Reference
Left-handed shape (high -> low): 0 2 0 2 0 x Chord tones: A C# E G E|-0-| B|-2-| G|-0-| D|-2-| A|-0-| D|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 0 2 0 x 0 x Chord tones: A C# E G E|-0-| B|-2-| G|-0-| D|-x-| A|-0-| D|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 5 5 6 5 7 7 Chord tones: A C# E G E|-5-| B|-5-| G|-6-| D|-5-| A|-7-| D|-7-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 9 8 9 7 7 7 Chord tones: A C# E G E|-9-| B|-8-| G|-9-| D|-7-| A|-7-| D|-7-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Context
How To Use This Page
Dominant 7 feels tense, bluesy and ready to resolve and works for blues progressions, funk rhythm, turnarounds and rootsy rock.
The mirrored chart keeps the bass note on the correct side for lefty rhythm players who want to connect groove and harmony quickly.
Mute deliberately with the picking hand because dominant shapes often invite extra noise from open strings
Drop D feels heavier on the low end while staying familiar on the top five strings. It makes low-string riffs and one-finger power movement faster to understand in left-handed view.
- A
- C#
- E
- G
Next Step
Matching Left-Handed Scales
Use these scale pages to move from the chord into lead work without leaving the same tuning and key centre.
Library