Double Drop D left-handed scale chart
A Lydian Left-Handed Guitar Scale Chart
Lydian scale notes, mirrored lefty fretboard positions and standard tab in Double Drop D.
A Lydian in Double Drop D tuning gives you the notes A, B, C#, D#, E, F#, G# across a mirrored left-handed fretboard. Double Drop D creates matching outer-string anchors, which is useful for fingerstyle and droning lines that left-handed players often have to translate from right-handed examples. Use the mirrored map to lock the #4 into your visual memory, especially if your default instinct is to reach for a standard major shape from right-handed material.
Open a page
Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
8-12 frets in mirrored left-handed view
10-14 frets in mirrored left-handed view
17-21 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|---------------------------------------------1--2--4--| B|------------------------------------0--2--4-----------| G|---------------------------1--2--4--------------------| D|------------------1--2--4-----------------------------| A|---------0--2--4--------------------------------------| D|1--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
D|---------------------------------------------1--2--4--| B|------------------------------------0--2--4-----------| G|---------------------------1--2--4--------------------| D|------------------1--2--4-----------------------------| A|---------0--2--4--------------------------------------| D|1--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
D|---------------------------------------9--11-| B|------------------------------9--10-12-------| G|---------------------8--9--11----------------| D|---------------9--11-------------------------| A|------9--11-12-------------------------------| D|9--11----------------------------------------|
8-12 frets • 15 note position run
Position 3 Tab
D|---------------------------------------------11-13-14-| B|------------------------------------10-12-14----------| G|---------------------------11-13-14-------------------| D|------------------11-13-14----------------------------| A|---------11-12-14-------------------------------------| D|11-13-14----------------------------------------------|
10-14 frets • 18 note position run
Position 4 Tab
D|---------------------------------------------18-19-21-| B|------------------------------------17-19-21----------| G|---------------------------18-20-21-------------------| D|------------------18-19-21----------------------------| A|---------18-19-21-------------------------------------| D|18-19-21----------------------------------------------|
17-21 frets • 18 note position run
Position 5 Tab
D|------------------------------------------18----19-21-| B|------------------------------------19-21----22-------| G|---------------------------18-20-21-------------------| D|------------------18-19-21----------------------------| A|---------18-19-21-------------------------------------| D|18-19-21----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Lydian feels bright, suspended and floating and is useful for soundtrack textures, dreamy leads and wide-interval melodies.
The chart mirrors the neck, but the interval formula and tab stay identical to standard notation, so you can compare lessons without confusion.
Feature the #4 early so the mode sounds Lydian rather than plain major
Double Drop D feels symmetrical on the outside strings and strong for drones. It opens up mirrored shapes at the top and bottom of the fretboard.
- A
- B
- C#
- D#
- E
- F#
- G#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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