Standard left-handed scale chart
A Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in Standard.
A Phrygian Dominant in Standard tuning gives you the notes A, A#, C#, D, E, F, G across a mirrored left-handed fretboard. Standard tuning keeps the usual string relationships intact, so it is the easiest place to compare left-handed charts with mainstream tab and lesson content. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
5-9 frets in mirrored left-handed view
10-14 frets in mirrored left-handed view
15-19 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
E|------------------------------------------0--1--3--| B|------------------------------------2--3-----------| G|---------------------------0--2--3-----------------| D|------------------0--2--3--------------------------| A|---------0--1--4-----------------------------------| E|0--1--3--------------------------------------------|
0-4 frets • 17 note position run
Position 1 Tab
E|------------------------------------------0--1--3--| B|------------------------------------2--3-----------| G|---------------------------0--2--3-----------------| D|------------------0--2--3--------------------------| A|---------0--1--4-----------------------------------| E|0--1--3--------------------------------------------|
0-4 frets • 17 note position run
Position 2 Tab
E|---------------------------------------------5--6--9--| B|------------------------------------5--6--8-----------| G|---------------------------6--7--9--------------------| D|------------------5--7--8-----------------------------| A|---------5--7--8--------------------------------------| E|5--6--9-----------------------------------------------|
5-9 frets • 18 note position run
Position 3 Tab
E|---------------------------------------------10-12-13-| B|------------------------------------10-11-14----------| G|---------------------------10-12-14-------------------| D|------------------11-12-14----------------------------| A|---------10-12-13-------------------------------------| E|10-12-13----------------------------------------------|
10-14 frets • 18 note position run
Position 4 Tab
E|---------------------------------------------15-17-18-| B|------------------------------------15-17-18----------| G|---------------------------15-18-19-------------------| D|------------------15-17-19----------------------------| A|---------16-17-19-------------------------------------| E|15-17-18----------------------------------------------|
15-19 frets • 18 note position run
Position 5 Tab
E|---------------------------------------------18-21-22-| B|------------------------------------18-20-22----------| G|------------------------18-19-21-22-------------------| D|------------------19-20-------------------------------| A|---------19-20-22-------------------------------------| E|18-21-22----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Standard feels balanced, familiar and easy to compare with lesson material. It lets you focus on left-handed visual translation without also learning a new tuning layout.
- A
- A#
- C#
- D
- E
- F
- G
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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