Standard left-handed scale chart
A# Mixolydian Left-Handed Guitar Scale Chart
Mixolydian scale notes, mirrored lefty fretboard positions and standard tab in Standard.
A# Mixolydian in Standard tuning gives you the notes A#, C, D, D#, F, G, G# across a mirrored left-handed fretboard. Standard tuning keeps the usual string relationships intact, so it is the easiest place to compare left-handed charts with mainstream tab and lesson content. The mirrored chart is especially useful when you are copying phrases from right-handed videos because the b7 anchor is easy to misread when the neck faces the other way.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
13-17 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
E|------------------------------------------1--3--4--| B|---------------------------------1--3--4-----------| G|------------------------0--1--3--------------------| D|---------------0--1--3-----------------------------| A|---------1--3--------------------------------------| E|1--3--4--------------------------------------------|
0-4 frets • 17 note position run
Position 1 Tab
E|------------------------------------------1--3--4--| B|---------------------------------1--3--4-----------| G|------------------------0--1--3--------------------| D|---------------0--1--3-----------------------------| A|---------1--3--------------------------------------| E|1--3--4--------------------------------------------|
0-4 frets • 17 note position run
Position 2 Tab
E|---------------------------------------------4--6--8--| B|------------------------------------4--6--8-----------| G|---------------------------5--7--8--------------------| D|------------------5--6--8-----------------------------| A|---------5--6--8--------------------------------------| E|4--6--8-----------------------------------------------|
4-8 frets • 18 note position run
Position 3 Tab
E|---------------------------------------------10-11-13-| B|------------------------------------9--11-13----------| G|---------------------------10-12-13-------------------| D|------------------10-12-13----------------------------| A|---------10-11-13-------------------------------------| E|10-11-13----------------------------------------------|
9-13 frets • 18 note position run
Position 4 Tab
E|---------------------------------------------13-15-16-| B|------------------------------------13-15-16----------| G|---------------------------13-15-17-------------------| D|------------------13-15-17----------------------------| A|---------13-15-17-------------------------------------| E|13-15-16----------------------------------------------|
13-17 frets • 18 note position run
Position 5 Tab
E|---------------------------------------------18-20-22-| B|------------------------------------18-20-21----------| G|---------------------------19-20-22-------------------| D|------------------18-20-22----------------------------| A|---------18-20-22-------------------------------------| E|18-20-22----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Mixolydian feels major but loose, rootsy and dominant and is useful for jam-band solos, southern rock and bluesy major riffs.
Keep the tab for note order and use the left-handed map to see where the dominant colour sits on your version of the neck.
Frame phrases around the b7 so the mode does not drift back to pure major
Standard feels balanced, familiar and easy to compare with lesson material. It lets you focus on left-handed visual translation without also learning a new tuning layout.
- A#
- C
- D
- D#
- F
- G
- G#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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