Half Step Down left-handed scale chart
B Locrian Left-Handed Guitar Scale Chart
Locrian scale notes, mirrored lefty fretboard positions and standard tab in Half Step Down.
B Locrian in Half Step Down tuning gives you the notes B, C, D, E, F, G, A across a mirrored left-handed fretboard. Half step down preserves standard geometry while lowering the overall pitch, which makes it a comfortable next step for left-handed players adapting shapes from common lesson material. Because Locrian already feels visually awkward, the lefty chart removes one extra layer of mental inversion before you start drilling the shape.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
3-7 frets in mirrored left-handed view
8-12 frets in mirrored left-handed view
13-17 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D#|------------------------------------------1--2--4--| A#|---------------------------------1--2--4-----------| F#|---------------------------1--3--------------------| C#|------------------1--3--4--------------------------| G#|---------1--3--4-----------------------------------| D#|1--2--4--------------------------------------------|
0-4 frets • 17 note position run
Position 1 Tab
D#|------------------------------------------1--2--4--| A#|---------------------------------1--2--4-----------| F#|---------------------------1--3--------------------| C#|------------------1--3--4--------------------------| G#|---------1--3--4-----------------------------------| D#|1--2--4--------------------------------------------|
0-4 frets • 17 note position run
Position 2 Tab
D#|------------------------------------------4--6--| A#|---------------------------------4--6--7--------| F#|------------------------3--5--6-----------------| C#|---------------3--4--6--------------------------| G#|------3--4--6-----------------------------------| D#|4--6--------------------------------------------|
3-7 frets • 16 note position run
Position 3 Tab
D#|------------------------------------------8--9--11-| A#|------------------------------------9--11----------| F#|---------------------------8--10-11----------------| C#|------------------8--10-11-------------------------| G#|---------8--9--11----------------------------------| D#|8--9--11-------------------------------------------|
8-12 frets • 17 note position run
Position 4 Tab
D#|---------------------------------------------13-14-16-| A#|------------------------------------13-14-16----------| F#|---------------------------13-15-17-------------------| C#|------------------13-15-16----------------------------| G#|---------13-15-16-------------------------------------| D#|13-14-16----------------------------------------------|
13-17 frets • 18 note position run
Position 5 Tab
D#|---------------------------------------------18-20-21-| A#|------------------------------------18-19-21----------| F#|---------------------------18-20-22-------------------| C#|------------------18-20-22----------------------------| G#|---------18-20-21-------------------------------------| D#|18-20-21----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Locrian feels unstable, angular and deliberately tense and is useful for dark soundtrack writing, outside riffs and diminished colour.
The shape is mirrored, but the interval order stays the same, so use the tab and the formula together if you are translating from a right-handed diagram.
Resolve often and hear the b5 clearly or the pattern will feel random
Half Step Down feels familiar but slightly darker and looser. It keeps your lefty chart recognition intact while changing the feel under both hands.
- B
- C
- D
- E
- F
- G
- A
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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