Open G left-handed scale chart
B Phrygian Left-Handed Guitar Scale Chart
Phrygian scale notes, mirrored lefty fretboard positions and standard tab in Open G.
B Phrygian in Open G tuning gives you the notes B, C, D, E, F#, G, A across a mirrored left-handed fretboard. Open G stacks a major chord under the strings, which turns left-handed rhythm and slide ideas into a much more visual game than in standard tuning. Left-handed players often over-read shapes and under-hear tension notes, so use the mirrored chart to locate the b2 and then sing it against the root.
Open a page
Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
2-6 frets in mirrored left-handed view
10-14 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|---------------------------------------------0--2--4--| B|------------------------------------0--1--3-----------| G|---------------------------0--2--4--------------------| D|------------------0--2--4-----------------------------| G|---------0--2--4--------------------------------------| D|0--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
D|---------------------------------------------0--2--4--| B|------------------------------------0--1--3-----------| G|---------------------------0--2--4--------------------| D|------------------0--2--4-----------------------------| G|---------0--2--4--------------------------------------| D|0--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
D|------------------------------------------2--4--5--| B|------------------------------------3--5-----------| G|---------------------------2--4--5-----------------| D|------------------2--4--5--------------------------| G|---------2--4--5-----------------------------------| D|2--4--5--------------------------------------------|
2-6 frets • 17 note position run
Position 3 Tab
D|---------------------------------------------10-12-14-| B|------------------------------------10-12-13----------| G|---------------------------11-12-14-------------------| D|------------------10-12-14----------------------------| G|---------11-12-14-------------------------------------| D|10-12-14----------------------------------------------|
10-14 frets • 18 note position run
Position 4 Tab
D|------------------------------------------14-16-17-| B|------------------------------------15-17----------| G|---------------------------14-16-17----------------| D|------------------14-16-17-------------------------| G|---------14-16-17----------------------------------| D|14-16-17-------------------------------------------|
14-18 frets • 17 note position run
Position 5 Tab
D|---------------------------------------19-21-22-| B|------------------------------19-20-22----------| G|------------------------19-21-------------------| D|---------------19-21-22-------------------------| G|---------19-21----------------------------------| D|19-21-22----------------------------------------|
18-22 frets • 16 note position run
Context
How To Use This Page
Phrygian feels dark, compressed and exotic and is useful for metal riffs, Spanish flavours and tense pedal-point writing.
Mainstream right-handed diagrams often hide the real character note in an awkward corner; the mirrored version on this page keeps that translation direct.
Keep returning to the b2 against the root so the mode identity stays strong
Open G feels rootsy, slide-friendly and chord-rich. It makes partial chords, droning harmonies and slide-friendly shapes easier to hear quickly.
- B
- C
- D
- E
- F#
- G
- A
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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