Drop C left-handed scale chart
C Mixolydian Left-Handed Guitar Scale Chart
Mixolydian scale notes, mirrored lefty fretboard positions and standard tab in Drop C.
C Mixolydian in Drop C tuning gives you the notes C, D, E, F, G, A, A# across a mirrored left-handed fretboard. Drop C changes the whole guitar feel and emphasises the bass side, which is exactly where left-handed players usually need better visual references than mainstream sites provide. The mirrored chart is especially useful when you are copying phrases from right-handed videos because the b7 anchor is easy to misread when the neck faces the other way.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
5-9 frets in mirrored left-handed view
10-14 frets in mirrored left-handed view
15-19 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D#|---------------------------------------------1--2--4--| A#|------------------------------------0--2--4-----------| F|---------------------------0--2--4--------------------| C|------------------0--2--4-----------------------------| G|---------0--2--3--------------------------------------| C|0--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
D#|---------------------------------------------1--2--4--| A#|------------------------------------0--2--4-----------| F|---------------------------0--2--4--------------------| C|------------------0--2--4-----------------------------| G|---------0--2--3--------------------------------------| C|0--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
D#|---------------------------------------------6--7--9--| A#|------------------------------------6--7--9-----------| F|---------------------------5--7--9--------------------| C|------------------5--7--9-----------------------------| G|---------5--7--9--------------------------------------| C|5--7--9-----------------------------------------------|
5-9 frets • 18 note position run
Position 3 Tab
D#|---------------------------------------------11-13-14-| A#|------------------------------------11-12-14----------| F|---------------------------11-12-14-------------------| C|------------------10-12-14----------------------------| G|---------10-12-14-------------------------------------| C|10-12-14----------------------------------------------|
10-14 frets • 18 note position run
Position 4 Tab
D#|---------------------------------------------16-18-19-| A#|------------------------------------16-18-19----------| F|---------------------------16-17-19-------------------| C|------------------16-17-19----------------------------| G|---------15-17-19-------------------------------------| C|16-17-19----------------------------------------------|
15-19 frets • 18 note position run
Position 5 Tab
D#|------------------------------------------18-19-21-| A#|---------------------------------18-19-21----------| F|---------------------------19-21-------------------| C|------------------19-21-22-------------------------| G|---------19-21-22----------------------------------| C|19-21-22-------------------------------------------|
18-22 frets • 17 note position run
Context
How To Use This Page
Mixolydian feels major but loose, rootsy and dominant and is useful for jam-band solos, southern rock and bluesy major riffs.
Keep the tab for note order and use the left-handed map to see where the dominant colour sits on your version of the neck.
Frame phrases around the b7 so the mode does not drift back to pure major
Drop C feels dense, aggressive and built for modern heavy rhythm guitar. It pushes mirrored riff shapes into a heavier, more modern register.
- C
- D
- E
- F
- G
- A
- A#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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