Double Drop D left-handed scale chart
E Phrygian Left-Handed Guitar Scale Chart
Phrygian scale notes, mirrored lefty fretboard positions and standard tab in Double Drop D.
E Phrygian in Double Drop D tuning gives you the notes E, F, G, A, B, C, D across a mirrored left-handed fretboard. Double Drop D creates matching outer-string anchors, which is useful for fingerstyle and droning lines that left-handed players often have to translate from right-handed examples. Left-handed players often over-read shapes and under-hear tension notes, so use the mirrored chart to locate the b2 and then sing it against the root.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
5-9 frets in mirrored left-handed view
12-16 frets in mirrored left-handed view
15-19 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|---------------------------------------------0--2--3--| B|------------------------------------0--1--3-----------| G|---------------------------0--2--4--------------------| D|------------------0--2--3-----------------------------| A|---------0--2--3--------------------------------------| D|0--2--3-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
D|---------------------------------------------0--2--3--| B|------------------------------------0--1--3-----------| G|---------------------------0--2--4--------------------| D|------------------0--2--3-----------------------------| A|---------0--2--3--------------------------------------| D|0--2--3-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
D|---------------------------------------------5--7--9--| B|------------------------------------5--6--8-----------| G|---------------------------5--7--9--------------------| D|------------------5--7--9-----------------------------| A|---------5--7--8--------------------------------------| D|5--7--9-----------------------------------------------|
5-9 frets • 18 note position run
Position 3 Tab
D|---------------------------------------------12-14-15-| B|------------------------------------12-13-15----------| G|---------------------------12-14-16-------------------| D|------------------12-14-15----------------------------| A|---------12-14-15-------------------------------------| D|12-14-15----------------------------------------------|
12-16 frets • 18 note position run
Position 4 Tab
D|---------------------------------------------15-17-19-| B|------------------------------------15-17-18----------| G|---------------------------16-17-19-------------------| D|------------------15-17-19----------------------------| A|---------15-17-19-------------------------------------| D|15-17-19----------------------------------------------|
15-19 frets • 18 note position run
Position 5 Tab
D|---------------------------------------------19-21-22-| B|------------------------------------18-20-22----------| G|---------------------------19-21-22-------------------| D|------------------19-21-22----------------------------| A|---------19-20-22-------------------------------------| D|19-21-22----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian feels dark, compressed and exotic and is useful for metal riffs, Spanish flavours and tense pedal-point writing.
Mainstream right-handed diagrams often hide the real character note in an awkward corner; the mirrored version on this page keeps that translation direct.
Keep returning to the b2 against the root so the mode identity stays strong
Double Drop D feels symmetrical on the outside strings and strong for drones. It opens up mirrored shapes at the top and bottom of the fretboard.
- E
- F
- G
- A
- B
- C
- D
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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