DADGAD left-handed chord chart
Amaj7 Left-Handed Guitar Chord Chart
Major 7 chord voicings, mirrored lefty grip charts and standard tab references in DADGAD.
Amaj7 uses the notes A, C#, E, G# and is shown here as a mirrored left-handed chord chart. DADGAD encourages drones and modal movement, which makes mirrored left-handed charts especially useful because familiar standard shapes stop behaving normally. Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.
Open a page
Chord boxes are mirrored for left-handed guitar. Tab and low-to-high shape notation remain standard so common lessons still translate.
Primary Chart
Chord View
Major 7 voicing around frets 6-10
Major 7 voicing around frets 6-10
Major 7 open-position chart (frets 1-5)
Major 7 voicing around frets 4-8
Standard Reference
Tab & Shape Readout
Standard Tab Reference
Left-handed shape (high -> low): 6 7 6 6 7 7 Chord tones: A C# E G# D|-6-| A|-7-| G|-6-| D|-6-| A|-7-| D|-7-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 7 7 6 6 7 7 Chord tones: A C# E G# D|-7-| A|-7-| G|-6-| D|-6-| A|-7-| D|-7-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 2 4 1 2 0 x Chord tones: A C# E G# D|-2-| A|-4-| G|-1-| D|-2-| A|-0-| D|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 6 4 6 6 7 7 Chord tones: A C# E G# D|-6-| A|-4-| G|-6-| D|-6-| A|-7-| D|-7-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Context
How To Use This Page
Major 7 feels lush, polished and sophisticated and works for neo-soul, jazz-pop, chord melody and atmospheric harmony.
Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.
Let notes ring but do not squeeze; these voicings sound better with even pressure than brute force
DADGAD feels open, droning and harmonically spacious. It rewards left-handed players who want ringing accompaniment and modal colours.
- A
- C#
- E
- G#
Next Step
Matching Left-Handed Scales
Use these scale pages to move from the chord into lead work without leaving the same tuning and key centre.
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