DADGAD left-handed chord chart
Bmaj7 Left-Handed Guitar Chord Chart
Major 7 chord voicings, mirrored lefty grip charts and standard tab references in DADGAD.
Bmaj7 uses the notes B, D#, F#, A# and is shown here as a mirrored left-handed chord chart. DADGAD encourages drones and modal movement, which makes mirrored left-handed charts especially useful because familiar standard shapes stop behaving normally. Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.
Open a page
Chord boxes are mirrored for left-handed guitar. Tab and low-to-high shape notation remain standard so common lessons still translate.
Primary Chart
Chord View
Major 7 voicing around frets 8-12
Major 7 voicing around frets 8-12
Major 7 open-position chart (frets 1-5)
Major 7 voicing around frets 6-10
Standard Reference
Tab & Shape Readout
Standard Tab Reference
Left-handed shape (high -> low): 8 9 8 8 9 9 Chord tones: B D# F# A# D|-8-| A|-9-| G|-8-| D|-8-| A|-9-| D|-9-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 9 9 8 8 9 9 Chord tones: B D# F# A# D|-9-| A|-9-| G|-8-| D|-8-| A|-9-| D|-9-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 1 1 3 4 2 x Chord tones: B D# F# A# D|-1-| A|-1-| G|-3-| D|-4-| A|-2-| D|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 8 6 8 8 9 9 Chord tones: B D# F# A# D|-8-| A|-6-| G|-8-| D|-8-| A|-9-| D|-9-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Context
How To Use This Page
Major 7 feels lush, polished and sophisticated and works for neo-soul, jazz-pop, chord melody and atmospheric harmony.
Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.
Let notes ring but do not squeeze; these voicings sound better with even pressure than brute force
DADGAD feels open, droning and harmonically spacious. It rewards left-handed players who want ringing accompaniment and modal colours.
- B
- D#
- F#
- A#
Next Step
Matching Left-Handed Scales
Use these scale pages to move from the chord into lead work without leaving the same tuning and key centre.
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