Standard left-handed chord chart
A#maj7 Left-Handed Guitar Chord Chart
Major 7 chord voicings, mirrored lefty grip charts and standard tab references in Standard.
A#maj7 uses the notes A#, D, F, A and is shown here as a mirrored left-handed chord chart. Standard tuning keeps the usual string relationships intact, so it is the easiest place to compare left-handed charts with mainstream tab and lesson content. Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.
Open a page
Chord boxes are mirrored for left-handed guitar. Tab and low-to-high shape notation remain standard so common lessons still translate.
Primary Chart
Chord View
Major 7 open-position chart (frets 1-5)
Major 7 open-position chart (frets 1-5)
Major 7 voicing around frets 5-9
Major 7 voicing around frets 3-7
Standard Reference
Tab & Shape Readout
Standard Tab Reference
Left-handed shape (high -> low): 1 3 2 0 1 x Chord tones: A# D F A E|-1-| B|-3-| G|-2-| D|-0-| A|-1-| E|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 1 x 2 0 1 x Chord tones: A# D F A E|-1-| B|-x-| G|-2-| D|-0-| A|-1-| E|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 5 6 7 7 5 6 Chord tones: A# D F A E|-5-| B|-6-| G|-7-| D|-7-| A|-5-| E|-6-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 5 3 3 3 5 6 Chord tones: A# D F A E|-5-| B|-3-| G|-3-| D|-3-| A|-5-| E|-6-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Context
How To Use This Page
Major 7 feels lush, polished and sophisticated and works for neo-soul, jazz-pop, chord melody and atmospheric harmony.
Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.
Let notes ring but do not squeeze; these voicings sound better with even pressure than brute force
Standard feels balanced, familiar and easy to compare with lesson material. It lets you focus on left-handed visual translation without also learning a new tuning layout.
- A#
- D
- F
- A
Next Step
Matching Left-Handed Scales
Use these scale pages to move from the chord into lead work without leaving the same tuning and key centre.
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