C Standard left-handed chord chart
Asus2 Left-Handed Guitar Chord Chart
Sus2 chord voicings, mirrored lefty grip charts and standard tab references in C Standard.
Asus2 uses the notes A, B, E and is shown here as a mirrored left-handed chord chart. C Standard lowers the whole guitar while keeping interval relationships intact, which is useful for heavy left-handed players who still want logical mirrored charts. These shapes can be visually deceptive in right-handed charts because the intervals look so open; the mirrored lefty version solves that quickly.
Open a page
Chord boxes are mirrored for left-handed guitar. Tab and low-to-high shape notation remain standard so common lessons still translate.
Primary Chart
Chord View
Sus2 voicing around frets 4-8
Sus2 open-position chart (frets 1-5)
Sus2 voicing around frets 6-10
Sus2 voicing around frets 8-12
Standard Reference
Tab & Shape Readout
Standard Tab Reference
Left-handed shape (high -> low): 4 4 6 6 4 x Chord tones: A B E C|-4-| G|-4-| D#|-6-| A#|-6-| F|-4-| C|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 4 2 1 1 4 x Chord tones: A B E C|-4-| G|-2-| D#|-1-| A#|-1-| F|-4-| C|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 9 9 6 6 6 9 Chord tones: A B E C|-9-| G|-9-| D#|-6-| A#|-6-| F|-6-| C|-9-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 9 9 8 11 11 9 Chord tones: A B E C|-9--| G|-9--| D#|-8--| A#|-11-| F|-11-| C|-9--|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Context
How To Use This Page
Sus2 feels open, modern and airy and works for pop rhythm guitar, drone-based accompaniment and layered acoustic parts.
These shapes can be visually deceptive in right-handed charts because the intervals look so open; the mirrored lefty version solves that quickly.
Listen for the major second against the root and avoid pressing so hard that the voicing sounds stiff
C Standard feels low, thick and heavy without dropping interval logic. It keeps the same shape logic while delivering a heavier voice.
- A
- B
- E
Next Step
Matching Left-Handed Scales
Use these scale pages to move from the chord into lead work without leaving the same tuning and key centre.
Library