C Standard left-handed scale chart
A Mixolydian Left-Handed Guitar Scale Chart
Mixolydian scale notes, mirrored lefty fretboard positions and standard tab in C Standard.
A Mixolydian in C Standard tuning gives you the notes A, B, C#, D, E, F#, G across a mirrored left-handed fretboard. C Standard lowers the whole guitar while keeping interval relationships intact, which is useful for heavy left-handed players who still want logical mirrored charts. The mirrored chart is especially useful when you are copying phrases from right-handed videos because the b7 anchor is easy to misread when the neck faces the other way.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
C|---------------------------------------------1--2--4--| G|------------------------------------0--2--4-----------| D#|---------------------------1--3--4--------------------| A#|------------------1--3--4-----------------------------| F|---------1--2--4--------------------------------------| C|1--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
C|---------------------------------------------1--2--4--| G|------------------------------------0--2--4-----------| D#|---------------------------1--3--4--------------------| A#|------------------1--3--4-----------------------------| F|---------1--2--4--------------------------------------| C|1--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
C|---------------------------------------------4--6--7--| G|------------------------------------4--6--7-----------| D#|---------------------------4--6--8--------------------| A#|------------------4--6--8-----------------------------| F|---------4--6--8--------------------------------------| C|4--6--7-----------------------------------------------|
4-8 frets • 18 note position run
Position 3 Tab
C|---------------------------------------------9--11-13-| G|------------------------------------9--11-12----------| D#|---------------------------10-11-13-------------------| A#|------------------9--11-13----------------------------| F|---------9--11-13-------------------------------------| C|9--11-13----------------------------------------------|
9-13 frets • 18 note position run
Position 4 Tab
C|---------------------------------------------14-16-18-| G|------------------------------------14-16-18----------| D#|---------------------------15-16-18-------------------| A#|------------------15-16-18----------------------------| F|---------14-16-18-------------------------------------| C|14-16-18----------------------------------------------|
14-18 frets • 18 note position run
Position 5 Tab
C|---------------------------------------------18-19-21-| G|------------------------------------18-19-21----------| D#|---------------------------18-20-22-------------------| A#|------------------18-20-21----------------------------| F|---------18-20-21-------------------------------------| C|18-19-21----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Mixolydian feels major but loose, rootsy and dominant and is useful for jam-band solos, southern rock and bluesy major riffs.
Keep the tab for note order and use the left-handed map to see where the dominant colour sits on your version of the neck.
Frame phrases around the b7 so the mode does not drift back to pure major
C Standard feels low, thick and heavy without dropping interval logic. It keeps the same shape logic while delivering a heavier voice.
- A
- B
- C#
- D
- E
- F#
- G
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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