C Standard left-handed chord chart
D#sus2 Left-Handed Guitar Chord Chart
Sus2 chord voicings, mirrored lefty grip charts and standard tab references in C Standard.
D#sus2 uses the notes D#, F, A# and is shown here as a mirrored left-handed chord chart. C Standard lowers the whole guitar while keeping interval relationships intact, which is useful for heavy left-handed players who still want logical mirrored charts. These shapes can be visually deceptive in right-handed charts because the intervals look so open; the mirrored lefty version solves that quickly.
Open a page
Chord boxes are mirrored for left-handed guitar. Tab and low-to-high shape notation remain standard so common lessons still translate.
Primary Chart
Chord View
Sus2 open-position chart (frets 1-5)
Sus2 open-position chart (frets 1-5)
Sus2 voicing around frets 10-14
Sus2 voicing around frets 7-11
Standard Reference
Tab & Shape Readout
Standard Tab Reference
Left-handed shape (high -> low): 3 3 0 0 0 3 Chord tones: D# F A# C|-3-| G|-3-| D#|-0-| A#|-0-| F|-0-| C|-3-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): x 3 0 0 0 3 Chord tones: D# F A# C|-x-| G|-3-| D#|-0-| A#|-0-| F|-0-| C|-3-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 10 10 12 12 10 x Chord tones: D# F A# C|-10-| G|-10-| D#|-12-| A#|-12-| F|-10-| C|-x--|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 10 8 7 7 10 x Chord tones: D# F A# C|-10-| G|-8--| D#|-7--| A#|-7--| F|-10-| C|-x--|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Context
How To Use This Page
Sus2 feels open, modern and airy and works for pop rhythm guitar, drone-based accompaniment and layered acoustic parts.
These shapes can be visually deceptive in right-handed charts because the intervals look so open; the mirrored lefty version solves that quickly.
Listen for the major second against the root and avoid pressing so hard that the voicing sounds stiff
C Standard feels low, thick and heavy without dropping interval logic. It keeps the same shape logic while delivering a heavier voice.
- D#
- F
- A#
Next Step
Matching Left-Handed Scales
Use these scale pages to move from the chord into lead work without leaving the same tuning and key centre.
Library