Half Step Down left-handed chord chart
G7 Left-Handed Guitar Chord Chart
Dominant 7 chord voicings, mirrored lefty grip charts and standard tab references in Half Step Down.
G7 uses the notes G, B, D, F and is shown here as a mirrored left-handed chord chart. Half step down preserves standard geometry while lowering the overall pitch, which makes it a comfortable next step for left-handed players adapting shapes from common lesson material. The mirrored chart keeps the bass note on the correct side for lefty rhythm players who want to connect groove and harmony quickly.
Open a page
Chord boxes are mirrored for left-handed guitar. Tab and low-to-high shape notation remain standard so common lessons still translate.
Primary Chart
Chord View
Dominant 7 open-position chart (frets 1-5)
Dominant 7 voicing around frets 4-8
Dominant 7 open-position chart (frets 1-5)
Dominant 7 voicing around frets 9-13
Standard Reference
Tab & Shape Readout
Standard Tab Reference
Left-handed shape (high -> low): 4 4 5 4 3 4 Chord tones: G B D F D#|-4-| A#|-4-| F#|-5-| C#|-4-| G#|-3-| D#|-4-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 4 4 5 4 6 4 Chord tones: G B D F D#|-4-| A#|-4-| F#|-5-| C#|-4-| G#|-6-| D#|-4-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 2 1 1 1 3 4 Chord tones: G B D F D#|-2-| A#|-1-| F#|-1-| C#|-1-| G#|-3-| D#|-4-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 11 9 11 10 11 x Chord tones: G B D F D#|-11-| A#|-9--| F#|-11-| C#|-10-| G#|-11-| D#|-x--|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Context
How To Use This Page
Dominant 7 feels tense, bluesy and ready to resolve and works for blues progressions, funk rhythm, turnarounds and rootsy rock.
The mirrored chart keeps the bass note on the correct side for lefty rhythm players who want to connect groove and harmony quickly.
Mute deliberately with the picking hand because dominant shapes often invite extra noise from open strings
Half Step Down feels familiar but slightly darker and looser. It keeps your lefty chart recognition intact while changing the feel under both hands.
- G
- B
- D
- F
Next Step
Matching Left-Handed Scales
Use these scale pages to move from the chord into lead work without leaving the same tuning and key centre.
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