Whole Step Down left-handed chord chart
G#sus2 Left-Handed Guitar Chord Chart
Sus2 chord voicings, mirrored lefty grip charts and standard tab references in Whole Step Down.
G#sus2 uses the notes G#, A#, D# and is shown here as a mirrored left-handed chord chart. Whole step down changes the guitar response enough to affect bends, muting and attack, which is useful for heavier left-handed rhythm playing. These shapes can be visually deceptive in right-handed charts because the intervals look so open; the mirrored lefty version solves that quickly.
Open a page
Chord boxes are mirrored for left-handed guitar. Tab and low-to-high shape notation remain standard so common lessons still translate.
Primary Chart
Chord View
Sus2 open-position chart (frets 1-5)
Sus2 open-position chart (frets 1-5)
Sus2 voicing around frets 3-7
Sus2 voicing around frets 5-9
Standard Reference
Tab & Shape Readout
Standard Tab Reference
Left-handed shape (high -> low): 1 1 3 3 1 x Chord tones: G# A# D# D|-1-| A|-1-| F|-3-| C|-3-| G|-1-| D|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): x 1 3 3 1 x Chord tones: G# A# D# D|-x-| A|-1-| F|-3-| C|-3-| G|-1-| D|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 6 6 3 3 3 6 Chord tones: G# A# D# D|-6-| A|-6-| F|-3-| C|-3-| G|-3-| D|-6-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 6 6 5 8 8 6 Chord tones: G# A# D# D|-6-| A|-6-| F|-5-| C|-8-| G|-8-| D|-6-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Context
How To Use This Page
Sus2 feels open, modern and airy and works for pop rhythm guitar, drone-based accompaniment and layered acoustic parts.
These shapes can be visually deceptive in right-handed charts because the intervals look so open; the mirrored lefty version solves that quickly.
Listen for the major second against the root and avoid pressing so hard that the voicing sounds stiff
Whole Step Down feels lower, wider and more elastic under the fingers. It gives familiar fingering a deeper voice without changing interval relationships.
- G#
- A#
- D#
Next Step
Matching Left-Handed Scales
Use these scale pages to move from the chord into lead work without leaving the same tuning and key centre.
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