Open D left-handed scale chart
B Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in Open D.
B Phrygian Dominant in Open D tuning gives you the notes B, C, D#, E, F#, G, A across a mirrored left-handed fretboard. Open D spreads a big major sonority across the guitar, which makes both scale mapping and chord design feel more spacious. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
3-7 frets in mirrored left-handed view
12-16 frets in mirrored left-handed view
15-19 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|---------------------------------------------1--2--4--| A|------------------------------------0--2--3-----------| F#|---------------------------0--1--3--------------------| D|------------------1--2--4-----------------------------| A|---------0--2--3--------------------------------------| D|1--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
D|---------------------------------------------1--2--4--| A|------------------------------------0--2--3-----------| F#|---------------------------0--1--3--------------------| D|------------------1--2--4-----------------------------| A|---------0--2--3--------------------------------------| D|1--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
D|---------------------------------------------4--5--7--| A|------------------------------------3--6--7-----------| F#|---------------------------3--5--6--------------------| D|------------------4--5--7-----------------------------| A|---------3--6--7--------------------------------------| D|4--5--7-----------------------------------------------|
3-7 frets • 18 note position run
Position 3 Tab
D|---------------------------------------------13-14-16-| A|------------------------------------12-14-15----------| F#|---------------------------12-13-15-------------------| D|------------------13-14-16----------------------------| A|---------12-14-15-------------------------------------| D|13-14-16----------------------------------------------|
12-16 frets • 18 note position run
Position 4 Tab
D|---------------------------------------------16-17-19-| A|------------------------------------15-18-19----------| F#|---------------------------15-17-18-------------------| D|------------------16-17-19----------------------------| A|---------15-18-19-------------------------------------| D|16-17-19----------------------------------------------|
15-19 frets • 18 note position run
Position 5 Tab
D|---------------------------------------------------19-21-22-| A|------------------------------------18----19-21-22----------| F#|------------------------------18-21----22-------------------| D|---------------------19-21-22-------------------------------| A|---------18-19-21-22----------------------------------------| D|19-21-22----------------------------------------------------|
18-22 frets • 20 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Open D feels wide, resonant and strong for open voicings. It helps left-handed players connect scale notes to ringing chord fragments.
- B
- C
- D#
- E
- F#
- G
- A
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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