Whole Step Down left-handed scale chart
B Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in Whole Step Down.
B Phrygian Dominant in Whole Step Down tuning gives you the notes B, C, D#, E, F#, G, A across a mirrored left-handed fretboard. Whole step down changes the guitar response enough to affect bends, muting and attack, which is useful for heavier left-handed rhythm playing. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|---------------------------------------------1--2--4--| A|------------------------------------0--2--3-----------| F|---------------------------1--2--4--------------------| C|------------------0--3--4-----------------------------| G|---------0--2--4--------------------------------------| D|1--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
D|---------------------------------------------1--2--4--| A|------------------------------------0--2--3-----------| F|---------------------------1--2--4--------------------| C|------------------0--3--4-----------------------------| G|---------0--2--4--------------------------------------| D|1--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
D|------------------------------------------4--5--7--| A|------------------------------------6--7-----------| F|---------------------------4--6--7-----------------| C|------------------4--6--7--------------------------| G|---------4--5--8-----------------------------------| D|4--5--7--------------------------------------------|
4-8 frets • 17 note position run
Position 3 Tab
D|---------------------------------------------9--10-13-| A|------------------------------------9--10-12----------| F|---------------------------10-11-13-------------------| C|------------------9--11-12----------------------------| G|---------9--11-12-------------------------------------| D|9--10-13----------------------------------------------|
9-13 frets • 18 note position run
Position 4 Tab
D|---------------------------------------------14-16-17-| A|------------------------------------14-15-18----------| F|---------------------------14-16-18-------------------| C|------------------15-16-18----------------------------| G|---------14-16-17-------------------------------------| D|14-16-17----------------------------------------------|
14-18 frets • 18 note position run
Position 5 Tab
D|---------------------------------------------19-21-22-| A|---------------------------------18-19-21-22----------| F|------------------------18-19-22----------------------| C|---------------18-19-21-------------------------------| G|---------20-21----------------------------------------| D|19-21-22----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Whole Step Down feels lower, wider and more elastic under the fingers. It gives familiar fingering a deeper voice without changing interval relationships.
- B
- C
- D#
- E
- F#
- G
- A
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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