Drop C left-handed scale chart
B Phrygian Left-Handed Guitar Scale Chart
Phrygian scale notes, mirrored lefty fretboard positions and standard tab in Drop C.
B Phrygian in Drop C tuning gives you the notes B, C, D, E, F#, G, A across a mirrored left-handed fretboard. Drop C changes the whole guitar feel and emphasises the bass side, which is exactly where left-handed players usually need better visual references than mainstream sites provide. Left-handed players often over-read shapes and under-hear tension notes, so use the mirrored chart to locate the b2 and then sing it against the root.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D#|---------------------------------------------1--3--4--| A#|------------------------------------1--2--4-----------| F|---------------------------1--2--4--------------------| C|------------------0--2--4-----------------------------| G|---------0--2--4--------------------------------------| C|0--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
D#|---------------------------------------------1--3--4--| A#|------------------------------------1--2--4-----------| F|---------------------------1--2--4--------------------| C|------------------0--2--4-----------------------------| G|---------0--2--4--------------------------------------| C|0--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
D#|---------------------------------------------4--6--8--| A#|------------------------------------4--6--8-----------| F|---------------------------4--6--7--------------------| C|------------------4--6--7-----------------------------| G|---------4--5--7--------------------------------------| C|4--6--7-----------------------------------------------|
4-8 frets • 18 note position run
Position 3 Tab
D#|---------------------------------------------9--11-13-| A#|------------------------------------9--11-13----------| F|---------------------------9--11-13-------------------| C|------------------9--11-12----------------------------| G|---------9--11-12-------------------------------------| C|9--11-12----------------------------------------------|
9-13 frets • 18 note position run
Position 4 Tab
D#|---------------------------------------------15-16-18-| A#|------------------------------------14-16-18----------| F|---------------------------14-16-18-------------------| C|------------------14-16-18----------------------------| G|---------14-16-17-------------------------------------| C|14-16-18----------------------------------------------|
14-18 frets • 18 note position run
Position 5 Tab
D#|------------------------------------------18-20-21-| A#|---------------------------------18-20-21----------| F|------------------------18-19-21-------------------| C|---------------18-19-21----------------------------| G|---------19-21-------------------------------------| C|18-19-21-------------------------------------------|
18-22 frets • 17 note position run
Context
How To Use This Page
Phrygian feels dark, compressed and exotic and is useful for metal riffs, Spanish flavours and tense pedal-point writing.
Mainstream right-handed diagrams often hide the real character note in an awkward corner; the mirrored version on this page keeps that translation direct.
Keep returning to the b2 against the root so the mode identity stays strong
Drop C feels dense, aggressive and built for modern heavy rhythm guitar. It pushes mirrored riff shapes into a heavier, more modern register.
- B
- C
- D
- E
- F#
- G
- A
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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