Drop C left-handed scale chart
C# Lydian Left-Handed Guitar Scale Chart
Lydian scale notes, mirrored lefty fretboard positions and standard tab in Drop C.
C# Lydian in Drop C tuning gives you the notes C#, D#, F, G, G#, A#, C across a mirrored left-handed fretboard. Drop C changes the whole guitar feel and emphasises the bass side, which is exactly where left-handed players usually need better visual references than mainstream sites provide. Use the mirrored map to lock the #4 into your visual memory, especially if your default instinct is to reach for a standard major shape from right-handed material.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
8-12 frets in mirrored left-handed view
13-17 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D#|---------------------------------------------0--2--4--| A#|------------------------------------0--2--3-----------| F|---------------------------0--2--3--------------------| C|------------------0--1--3-----------------------------| G|---------0--1--3--------------------------------------| C|0--1--3-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
D#|---------------------------------------------0--2--4--| A#|------------------------------------0--2--3-----------| F|---------------------------0--2--3--------------------| C|------------------0--1--3-----------------------------| G|---------0--1--3--------------------------------------| C|0--1--3-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
D#|------------------------------------------4--5--7--| A#|------------------------------------5--7-----------| F|---------------------------5--7--8-----------------| C|------------------5--7--8--------------------------| G|---------5--6--8-----------------------------------| C|5--7--8--------------------------------------------|
4-8 frets • 17 note position run
Position 3 Tab
D#|---------------------------------------------9--10-12-| A#|------------------------------------9--10-12----------| F|---------------------------8--10-12-------------------| C|------------------8--10-12----------------------------| G|---------8--10-12-------------------------------------| C|8--10-12----------------------------------------------|
8-12 frets • 18 note position run
Position 4 Tab
D#|---------------------------------------------14-16-17-| A#|------------------------------------14-15-17----------| F|---------------------------14-15-17-------------------| C|------------------13-15-17----------------------------| G|---------13-15-17-------------------------------------| C|13-15-17----------------------------------------------|
13-17 frets • 18 note position run
Position 5 Tab
D#|---------------------------------------------19-21-22-| A#|------------------------------------19-21-22----------| F|---------------------------19-20-22-------------------| C|------------------19-20-22----------------------------| G|---------18-20-22-------------------------------------| C|19-20-22----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Lydian feels bright, suspended and floating and is useful for soundtrack textures, dreamy leads and wide-interval melodies.
The chart mirrors the neck, but the interval formula and tab stay identical to standard notation, so you can compare lessons without confusion.
Feature the #4 early so the mode sounds Lydian rather than plain major
Drop C feels dense, aggressive and built for modern heavy rhythm guitar. It pushes mirrored riff shapes into a heavier, more modern register.
- C#
- D#
- F
- G
- G#
- A#
- C
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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