Open E left-handed scale chart
C# Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in Open E.
C# Phrygian Dominant in Open E tuning gives you the notes C#, D, F, F#, G#, A, B across a mirrored left-handed fretboard. Open E is big, direct and highly resonant, which suits left-handed players who want open-string power without losing a major tonal centre. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
3-7 frets in mirrored left-handed view
12-16 frets in mirrored left-handed view
15-19 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
E|---------------------------------------------1--2--4--| B|------------------------------------0--2--3-----------| G#|---------------------------0--1--3--------------------| E|------------------1--2--4-----------------------------| B|---------0--2--3--------------------------------------| E|1--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
E|---------------------------------------------1--2--4--| B|------------------------------------0--2--3-----------| G#|---------------------------0--1--3--------------------| E|------------------1--2--4-----------------------------| B|---------0--2--3--------------------------------------| E|1--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
E|---------------------------------------------4--5--7--| B|------------------------------------3--6--7-----------| G#|---------------------------3--5--6--------------------| E|------------------4--5--7-----------------------------| B|---------3--6--7--------------------------------------| E|4--5--7-----------------------------------------------|
3-7 frets • 18 note position run
Position 3 Tab
E|---------------------------------------------13-14-16-| B|------------------------------------12-14-15----------| G#|---------------------------12-13-15-------------------| E|------------------13-14-16----------------------------| B|---------12-14-15-------------------------------------| E|13-14-16----------------------------------------------|
12-16 frets • 18 note position run
Position 4 Tab
E|---------------------------------------------16-17-19-| B|------------------------------------15-18-19----------| G#|---------------------------15-17-18-------------------| E|------------------16-17-19----------------------------| B|---------15-18-19-------------------------------------| E|16-17-19----------------------------------------------|
15-19 frets • 18 note position run
Position 5 Tab
E|---------------------------------------------------19-21-22-| B|------------------------------------18----19-21-22----------| G#|------------------------------18-21----22-------------------| E|---------------------19-21-22-------------------------------| B|---------18-19-21-22----------------------------------------| E|19-21-22----------------------------------------------------|
18-22 frets • 20 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Open E feels bright, ringing and slide-ready. It makes bright rhythm guitar and open slide vocabulary feel immediate.
- C#
- D
- F
- F#
- G#
- A
- B
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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