DADGAD left-handed scale chart
C# Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in DADGAD.
C# Phrygian Dominant in DADGAD tuning gives you the notes C#, D, F, F#, G#, A, B across a mirrored left-handed fretboard. DADGAD encourages drones and modal movement, which makes mirrored left-handed charts especially useful because familiar standard shapes stop behaving normally. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
2-6 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
16-20 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|---------------------------------------------3--4--6--| A|---------------------------------2-----4--5-----------| G|---------------------------2--4-----6-----------------| D|------------------3--4--6-----------------------------| A|---------2--4--5--------------------------------------| D|3--4--6-----------------------------------------------|
2-6 frets • 18 note position run
Position 1 Tab
D|---------------------------------------------3--4--6--| A|---------------------------------2-----4--5-----------| G|---------------------------2--4-----6-----------------| D|------------------3--4--6-----------------------------| A|---------2--4--5--------------------------------------| D|3--4--6-----------------------------------------------|
2-6 frets • 18 note position run
Position 2 Tab
D|---------------------------------------------4--6--7--| A|---------------------------------4-----5--8-----------| G|---------------------------4--6-----7-----------------| D|------------------4--6--7-----------------------------| A|---------4--5--8--------------------------------------| D|4--6--7-----------------------------------------------|
4-8 frets • 18 note position run
Position 3 Tab
D|---------------------------------------------9--11-12-| A|---------------------------------9-----11-12----------| G|---------------------------10-11----13----------------| D|------------------9--11-12----------------------------| A|---------9--11-12-------------------------------------| D|9--11-12----------------------------------------------|
9-13 frets • 18 note position run
Position 4 Tab
D|---------------------------------------------15-16-18-| A|---------------------------------14----16-17----------| G|---------------------------14-16----18----------------| D|------------------15-16-18----------------------------| A|---------14-16-17-------------------------------------| D|15-16-18----------------------------------------------|
14-18 frets • 18 note position run
Position 5 Tab
D|---------------------------------------------16-18-19-| A|---------------------------------16----17-20----------| G|---------------------------16-18----19----------------| D|------------------16-18-19----------------------------| A|---------16-17-20-------------------------------------| D|16-18-19----------------------------------------------|
16-20 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
DADGAD feels open, droning and harmonically spacious. It rewards left-handed players who want ringing accompaniment and modal colours.
- C#
- D
- F
- F#
- G#
- A
- B
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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